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Johann Baptist Vaňhal

Vaňhal: Double Bass Concerto

¥7,000
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Format

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G. Henle Verlag  |  SKU: HN979  |  バーコード: 9790201809793
  • Composer: Johann Baptist Vaňhal (1739-1813)
  • Editor: Tobias Glöckler
  • Piano reduction: Christoph Sobanski
  • Fingering: Tobias Glöckler
  • Cadenzas: Tobias Glöckler
  • Instrumentation (this edition): Piano Reduction, Double Bass
  • Originally for: Double Bass, Orchestra
  • Work: Bass Concerto
  • ISMN: 9790201809793
  • Size: 9.3 x 12.2 inches
  • Pages: 84
  • Urtext / Critical Edition

Description

Following Dittersdorf and Hoffmeister, Johann Baptist Vaňhal and his sole double-bass concerto add a further highlight to the classical bass literature in our catalogue. The virtuoso work was transmitted only in a copy of a part owned by the famous double-bass player Johannes Sperger and found in his estate, which raises a few questions on account of the many later additions in the solo part (especially concerning the octave transpositions).

In Henle's Urtext edition, Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. The piano reduction is printed in two keys (C and D major), which allows for performances in the solo and orchestral tuning or, at will. Moreover an additional part, written in fingering notation, has been specially designed for use with the "Viennese tuning" customary in Vaňhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.

G. Henle Verlag

Vaňhal: Double Bass Concerto

下限 ¥1,100

Description

Following Dittersdorf and Hoffmeister, Johann Baptist Vaňhal and his sole double-bass concerto add a further highlight to the classical bass literature in our catalogue. The virtuoso work was transmitted only in a copy of a part owned by the famous double-bass player Johannes Sperger and found in his estate, which raises a few questions on account of the many later additions in the solo part (especially concerning the octave transpositions).

In Henle's Urtext edition, Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. The piano reduction is printed in two keys (C and D major), which allows for performances in the solo and orchestral tuning or, at will. Moreover an additional part, written in fingering notation, has been specially designed for use with the "Viennese tuning" customary in Vaňhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.

Format

  • Solo Part with Piano Reduction
  • Study Score
  • Full Score
  • Violin I
  • Violin II
  • Viola
  • Cello / Double Bass
  • Wind Set: 0.2.0.1 – 2.0.0.0
  • Harpsichord
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