Toccatas for Organ
An Anthology of Toccatas from the 16th Century to 20th Century
Expected to ship in 1-2 weeks.
- Editor: Michael Burkhardt
- Instrumentation: Organ
- Binding: Spiral Bound
- UPC:
- Size: 9 x 12.0 inches
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Description
A unique collection of Toccatas representing selected works from the 16th through 20th centuries. Beautifully edited and extremely useful as postlude and recital material.
Contents:
16th-17th CENTURY DUTCH and NORTH GERMAN
Sweelinck, Toccata in a, SwWV 298
Anonymous (Lüneburger Orgeltabulatur), Tokkata
Buxtehude, Toccata in F Major, BuxWV 157a
17th CENTURY SOUTH GERMAN
Pachelbel, Toccata in g
Pachelbel, Toccata in e
Murschhauser, Toccata in d
18th CENTURY MIDDLE GERMAN
Walther, Toccata in C, LV 122a
Bach, J. S., Toccata in d, BWV 565a
16th CENTURY ITALIAN
Diruta, Toccata di Grado del Primo Tono
17th CENTURY ITALIAN
Frescobaldi, Toccata per le levazione (Messe delli Apostoli)
Rossi, Toccata XIV
Pasquini, Toccata del segundo tono
18th CENTURY ITALIAN
Zipoli, Toccata all' Elevazione
Martini, Toccata in a
19th CENTURY GERMAN
Reger, Toccata, Op. 59, No. 5
19th-20th CENTURY BELGIAN/FRENCH
Lemmens, Fanfare
Dubois, Toccata (in G)
Gigout, Toccata (in b)
Renaud, Toccata in d, Op. 108, No. 1
20th CENTURY BRITISH
Fletcher, Festival Toccata
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.