The Organ in Church
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- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Joseph J. Daynes (1851-1920), Robert Steele Ambrose (1824-1908), Alexander von Fielitz (1860-1930), William Faulkes (1863-1933), Edvard Grieg (1843-1907), Georges Bizet (1838-1875), Alexandre Guilmant (1837-1911), Robert Schumann (1810-1856), Giuseppe Verdi (1813-1901), Richard Wagner (1813-1883), Charles Gounod (1818-1893), Christoph Willibald Gluck (1714-1787), Frank W. Asper, Camille Saint-Saëns (1835-1921), Johannes Brahms (1833-1897), Antonín Dvořák (1841-1904), Felix Mendelssohn (1809-1847), Franz Abt (1819-1885)
- Arranger: Frank W. Asper
- Instrumentation: Organ
- ISBN:
- Size: 9.1 x 11.9 inches
- Pages: 96
Description
Contents:
Daynes: As the Dew, from Heaven Distilling Asper: Reflection Wagner: Prayer from "Rienzi" Asper: Recessional Ambrose: One Sweetly Solemn Thought Dvořák: Largo from the "New World Symphony" Schumann: Abendlied (Evening Song) Gluck: From Thy Throne So High Fielitz: Hymnus Bach: In Sweet Rejoicing (In Dulci Jubilo) Bach: How Brightly Shines The Morning Star Handel: Arioso (Thanks Be To God) Abt: O Lord Most Holy Grieg: Hail, Star of Heaven (Ave Maris Stella) Saint-Saëns: Prelude to "The Deluge" Guilmant: Adagio (From Sonata III) Bizet: Agnus Dei (Lamb of God) Mozart: Ave Verum (Jesu, Word of God)" Bach: Sheep May Safely Graze from "The Birthday Cantata" Bach: Jesu, Joy of Man's Desiring (Chorale) Bach: Jesu, Joy of Man's Desiring (Choral Prelude, Figured Chorale From Cantata 147 "Herz and Mund and That and Leben") Bach: From the Depths of My Heart (Jesu, Meines Herzens Freud) Wagner: Bridal Chorus from "Lohengrin" Mendelssohn: Wedding March Faulkes: Melodie Brahms: Lullaby Faulkes: Reverie Gounod: Ave Verum (O Loving Savior) Mendelssohn: Light Divine Mendelssohn: Nocturne from "A Midsummer Night's Dream" Panchenko: The Promises Verdi: Prayer from "Otello" (Lord, Hear Our Prayer)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.