Not finding what you're looking for? Just email us at hello@ficksmusic.com or call us at +1 215-592-1681

Clara Iannotta

Iannotta: Il colore dell'ombra

¥19,600
次精算時に配送料を算出。

This item is made to order and typically ships within 1-2 weeks.

Edition Peters  |  SKU: EP14243  |  バーコード: 9790014124755
  • Composer: Clara Iannotta (1983-)
  • Format: Set of Parts
  • Instrumentation: Piano Trio (Piano, Violin, Cello)
  • Work: Il colore dell'ombra
  • ISMN: 9790014124755
  • Pages: 84

Description

Written for the final exams of the Conservatorio Giuseppe Verdi di Milano, Il colore dell 'ombra was first performed in its entirety by the soloists of Ensemble Multilatérale — Nathalie Shaw, Séverine Ballon and Lise Baudouin — in March 2011.

"In Il colore dell 'ombra, Iannotta intervenes on the instruments themselves, rebalancing the ensemble in one of many acts of homage to Ravel's piano trio. The polished bourgeois voices of the violin, piano, and cello are alternately detuned, muted, and relegated to extreme registers. in restructuring the piano trio's natural resonance (as Ravel did), Iannotta invokes sounds that signify our instruments' language of materiality: wood, hair, resin, metal, flesh. The grain of each instrumental voice comes to the fore, creating uncommon texture and vibration. The slack, de-tuned strings vibrate loosely and gutturally; low piano strings, muted at precise harmonic points, ring in falsetto and emit a strange acoustic glow." - Pala Garcia

N/A
Edition Peters

Iannotta: Il colore dell'ombra

¥19,600

Description

Written for the final exams of the Conservatorio Giuseppe Verdi di Milano, Il colore dell 'ombra was first performed in its entirety by the soloists of Ensemble Multilatérale — Nathalie Shaw, Séverine Ballon and Lise Baudouin — in March 2011.

"In Il colore dell 'ombra, Iannotta intervenes on the instruments themselves, rebalancing the ensemble in one of many acts of homage to Ravel's piano trio. The polished bourgeois voices of the violin, piano, and cello are alternately detuned, muted, and relegated to extreme registers. in restructuring the piano trio's natural resonance (as Ravel did), Iannotta invokes sounds that signify our instruments' language of materiality: wood, hair, resin, metal, flesh. The grain of each instrumental voice comes to the fore, creating uncommon texture and vibration. The slack, de-tuned strings vibrate loosely and gutturally; low piano strings, muted at precise harmonic points, ring in falsetto and emit a strange acoustic glow." - Pala Garcia

商品を表示