English Songs of the 17th and 18th Centuries
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- Composers: Thomas Arne (1710-1778), Thomas Campion (1567-1620), Henry Purcell (1659-1695), Thomas Morley (1557-1602), Thomas Ford (1580-1648), George Munro (1680-1731), Philip Rosseter (1568-1623), Orlando Gibbons (1583-1625)
- Instrumentation (this edition): Piano, High Voice
- Originally for: Piano, Voice, SATB Choir
- Work Language: English
- ISMN:
- Size: 9.1 x 11.9 inches
Description
English Songs of the 17th and 18th centuries contains a selection of some of the greatest British songs of the baroque and classical era. From some of the most popular songs by Henry Purcell (including Dido's Lament and Fairest Isle), through perfect examples of the lyricist/composer's art by Thomas Campion, to classic Shakespeare settings by Thomas Arne, this collection provides an ideal collection of essential songs for the student singer.
Works:
- Arne: When Daisies Pied
- Arne: Where the Bee Sucks
- Campion: Oft have I sigh'd
- Campion: The peaceful western wind
- Campion: There is a garden in her face
- Ford: Fair sweet cruel
- Ford: Since first I saw your face
- Gibbons: The silver swan
- Morley: I saw my lady weeping
- Morley: I was a lover and his lass
- Munro: My Lovely Celia
- Purcell: Ah! how pleasant 'tis to love, Z. 353
- Purcell: Fairest Isle (Address to Britain), Z. 628
- Purcell: If music be the food of love, Z. 379
- Purcell: I saw that you were grown so high, Z. 387
- Purcell: Love quickly is pall'd, Z. 632
- Purcell: Man is for the woman made, Z. 605
- Purcell: Music for a while, Z. 583
- Purcell: Nymphs and Shepherds, Z. 600
- Purcell: Since from my dear, Z. 627
- Purcell: The Knotting Song
- Purcell: Turn then thine eyes, Z. 425
- Purcell: What shall I do, Z. 627
- Purcell: When I am laid in earth (Dido's lament), Z. 626
- Rosseter: When Laura Smiles
- Rosseter: If she forsake me
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.