Not finding what you're looking for? Just email us at hello@ficksmusic.com or call us at +1 215-592-1681

Frédéric Chopin

Chopin: Polonaise in A-flat Major, Op. 53

Polonaise héroïque

$ 12.95
Shipping calculated at checkout.

In stock and typically ships within 1 business day.

Wiener Urtext  |  SKU: UT50401  |  Barcode: 9790500573760

Description

Regarded as the highlight among Chopin's polonaises, the great Polonaise in A-flat Major, Op. 53 has also become known as 'octave polonaise' because of the distinctive octave passages in the middle section. As was customary at that time, the work was published in a German, English and French first edition each.

There also exists an autograph which served as an engraver's copy for the German first edition. Some personal copies of Chopin pupils occasionally contain entries of the composer, thus providing additional information, e.g. original fingerings. Unfortunately, all three first editions contain a different, not always reliable text.

This edition is based substantially on the autograph, yet also takes some variants of the French first edition into account which give the impression of a last-hand version. The problems with regard to the sources and transmission are explained in detail in the preface and the critical notes. Variants containing a specific component with regard to the performance practice are commented on in the notes on interpretation.

Wiener Urtext

Chopin: Polonaise in A-flat Major, Op. 53

$ 12.95

Description

Regarded as the highlight among Chopin's polonaises, the great Polonaise in A-flat Major, Op. 53 has also become known as 'octave polonaise' because of the distinctive octave passages in the middle section. As was customary at that time, the work was published in a German, English and French first edition each.

There also exists an autograph which served as an engraver's copy for the German first edition. Some personal copies of Chopin pupils occasionally contain entries of the composer, thus providing additional information, e.g. original fingerings. Unfortunately, all three first editions contain a different, not always reliable text.

This edition is based substantially on the autograph, yet also takes some variants of the French first edition into account which give the impression of a last-hand version. The problems with regard to the sources and transmission are explained in detail in the preface and the critical notes. Variants containing a specific component with regard to the performance practice are commented on in the notes on interpretation.

View product