Brahms: 50 Selected Songs
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- Composer: Johannes Brahms (1833-1897)
- Instrumentation: Piano, Voice, High Voice, SATB Choir, Female Voice, Male Voice
- Work Languages: English, German
- ISBN:
- Size: 9 x 12.0 inches
- Pages: 208
Description
Contents: Aeolian Harp • Am Sonntag Morgen • An Den Mond • An Die Nachtigall • An Ein Veilchen • Auf Dem Schiffe • Bei Dir Sind Meine Gedanken • Botschaft • Damm'rung Senkte Sich Von Oben • Der Gang Zum Liebchen • Der Jager • Der Tod, das ist Die Kuhle Nacht • Die Kranze • Die Mainacht • Erinnerung • Es Hing Der Reif • Feldeinsamkeit • Immer Leiser Wird Mein Schlummer • in Waldeseinsamkeit • Komm Bald! • Kommt Dir Manchmal in Den Sinn • Lerchengesang • Liebestreu • The Little Sandman • Madchenlied • Meine Liebe ist Grun • Meine Lieder • Minnelied • Nachtigall • O Kuhler Wald • O Lieliche Wangen • O Wusst' Ich Doch Den Weg • Parole • Rothe Abendwolken Zieh'n • Ruhe, Sussliebchen • Sapphische Ode • Schmied • Sehnsucht • Wiegenlied • Sonntag • Standchen • Therese • Trennung • Treue Liebe • Vergebliches Standchen • Verrath • Von Ewiger Liebe • Wie Bist Du, Meine Konigin • Wie Melodien Zieht Es Mir • Wir Wandelten.
Works:
- Liebestrau, No. 1 from 6 Songs, Op. 3
- Traue Liebe, No. 1 from 6 Songs, Op. 7
- Parole, No. 2 from 6 Songs, Op. 7
- Der Schmied, No. 4 from 5 Poems, Op. 19
- An Eine Aeolsharfe, No. 5 from 5 Poems, Op. 19
- Wie bist du, meine Königin, No. 9 from 9 Songs, Op. 32
- Ruhe, Süßliebchen, No. 9 from Die Schöne Magelone, Op. 33
- Von ewiger Liebe, No. 1 from 4 Songs, Op. 43
- Die Mainacht. No. 2 from 4 Songs, Op. 43
- Die Kränze, No. 1 from 4 Songs, Op. 46
- An die Nachtigall, No. 4 from 4 Songs, Op. 46
- Botschaft, No. 1 from 5 Songs, Op. 47
- Sonntag, No. 3 from 5 Songs, Op. 47
- O liebliche Wangen. No. 4 from 5 Songs, Op. 47
- Der Gang zum Liebchen, No. 1 from 7 Songs, Op. 48
- Am Sonntag Morge, No. 1 from 5 Songs, Op. 49
- An ein Veilchen, No. 2 from 5 Songs, Op. 49
- Sehnsucht, No. 3 from 5 Songs, Op. 49
- Wiegenlied, No. 4 from 5 Songs, Op. 49
- Dämmerung senkte sich von oben, No. 1 from 8 Songs, Op. 59
- Erinnerung, No. 2 from 9 Songs, Op. 63
- Meine liebe ist grün, No. 5 from 9 Songs, Op. 63
- Heimweh (2), No. 8 from 9 Songs, Op. 63
- Lerchengesang, No. 2 from 4 Songs, Op. 70
- An den Mond, No. 2 from 5 Songs, Op. 71
- Minnelied, No. 5 from 5 Songs, Op. 71
- O kühler Wald, No. 3 from 5 Songs, Op. 72
- Vergebliches Ständchen, No. 4 from 5 Romances & Songs, Op. 84
- In Waldeseinsamkeit, No. 6 from 6 Songs, Op. 85
- Therese, No. 1 from 6 Songs, Op. 86
- Feldeinsamkeit, No. 2 from 6 Songs, Op. 86
- Sapphische Ode, No. 4 from 5 Songs, Op. 94
- Bei dir sind meine Gedanken, No. 2 from 7 Songs, Op. 95
- Der Jäger, No. 4 from 7 Songs, Op. 95
- Mädchenlied, No. 6 from 7 Songs, Op. 95
- Der Tod, das ist die kühle Nacht, No. 1 from 4 Songs, Op. 96
- Wir wandelten, No. 2 from 4 Songs, Op. 96
- Nachtigall, No. 1 from 6 Songs, Op. 97
- Auf dem Schiffe, No. 2 from 6 Songs, Op. 97
- Komm bald, No. 5 from 6 Songs, Op. 97
- Trennung, No. 6 from 6 Songs, Op. 97
- Kommt dir manchmal in den Sinn, No. 7 from Zigeunerlieder, Op. 103
- Rote Abendwolken zieh, No. 11 from Zigeunerlieder, Op. 103
- Wie Melodien zieht es mir, No. 1 from Fünf Lieder (5 Songs), Op. 105
- Immer leiser wird mein Schlummer, No. 2 from Fünf Lieder (5 Songs), Op. 105
- Verrat, No. 5 from Fünf Lieder (5 Songs), Op. 105
- Ständchen, No. 1 from 5 Songs, Op. 106
- Es hing der Reif, No. 3 from 5 Songs, Op. 106
- Meine Lieder, No. 4 from 5 Songs, Op. 106
- Sandmännchen, No. 4 from 15 Volkskinderlieder (15 Children's Folk Songs), WoO 31
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Brahms: 50 Selected Songs
