Bach: 15 Tenor Arias from Cantatas
Expected to ship in about a week.
- Composer: Johann Sebastian Bach (1685-1750)
- Editor: Max Schneider
- Instrumentation (this edition): Piano, Tenor
- Originally for: Organ, Basso continuo, SATB Choir, SATB Solos, Viola, Violin I, Violin II, Orchestra, Alto, Bass, Tenor, Chamber Orchestra
- Work Language: German
- ISMN:
- Pages: 84
Works:
- Des Vaters Stimme ließ from Christ, unser Herr, zum Jordan kam, BWV 280
- Meine Seufzer, meine Tränen from Meine Seufzer, meine Tränen (Cantata for 2nd Sunday after Epiphany), BWV 13
- Welch Übermaß der Güte from Wer Dank opfert, der preiset mich (for the fourteenth Sunday after Trinity), BWV 17
- Ewigkeit, du machst mir from O Ewigkeit, du Donnerwort (Cantata for 1st Sunday after Trinity), BWV 20
- Nimm mich dir zu eigen from Sie werden aus Saba alle kommen (Cantata for Feast of Epiphany), BWV 65
- Mein Jesus soll mein alles sein from Die Elenden sollen essen (Cantata for the 1st Sunday after Trinity), BWV 75
- Seht, was die Liebe tut from Ich bin ein guter Hirt (for the second Sunday after Easter), BWV 85
- Ich will leiden from Bisher habt ihr nichts gebeten in meinem Namen (for the fifth Sunday after Easter), BWV 87
- Man halte nur ein wenig from Wer nur den lieben Gott lässt walten (Schübler Chorales No. 3), BWV 647
- Ach, schlage doch bald from Christus, der ist mein Leben, BWV 281
- Auf, auf, gläubige from Ein Herz, das seinen Jesum lebend weiß (Cantata for Easter Tuesday), BWV 134
- Stürmt nur, stürmt from Schau, lieber Gott, wie meine Feind (1st Sunday after New Year), BWV 153
- Mein Verlangen from Komm, du süße Todesstunde, BWV 161
- Ihr Menschen, rühmet from Ihr Menschen, rühmet Gottes Liebe, BWV 167
- Sanfte soll mein Todeskummer from Easter Oratorio, BWV 249
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.