Violin Lullabies
Expected to ship in 1-2 weeks.
- Composers: Lucien Durosoir (1878-1955), Mikhail Antsev (1865-1945), Camillo Sivori (1815-1894), Pauline Viardot (García) (1821-1910), Henri Béraud (1885-1958), Maurice Ravel (1875-1937), Edvard Grieg (1843-1907), George Gershwin (1898-1937), Ottorino Respighi (1879-1936), Jean Sibelius (1865-1957), Robert Schumann (1810-1856), Alan Hovhaness (1911-2000), Igor Stravinsky (1882-1971), Franz Schubert (1797-1828), Betty Jackson King (1928-1994), Richard Strauss (1864-1949), Manuel de Falla (1876-1946), Eugène Ysaÿe (1858-1931), Johannes Brahms (1833-1897), Xavier Montsalvatge (1912-2002), Rebecca Clarke (1886-1979), Vladimir Rebikov (1866-1920), Amy Beach (1867-1944), Gabriel Fauré (1845-1924), Max Reger (1873-1916), Alexander Ilyinsky (1859-1920), Ludwig Schwab (1880-1943)
- Editor: Rachel Barton Pine
- Format: Book & Audio Access
- Instrumentation (this edition): Piano, Violin
- Originally for: Cello, Organ, Piano, Violin, Voice, Orchestra, Opera
- ISBN:
- Size: 9 x 12.0 inches
- Pages: 56
Description
Following the birth of her first child, violinist Rachel Barton Pine went looking for a collection of lullabies written for violin and piano. After finding nothing in existence, she set about gathering sheet music and recording her own version with pianist Matthew Hagle. This new collection celebrates the beauty of new life and parenthood with familiar tunes and new discoveries by composers such as Brahms, Ravel, Fauré, and Gershwin. Meticulously edited, these are short and elegant while remaining compositionally sophiscated, perfect for intermediate or advanced violinists. As an additional resource, the collection contains downloadable piano accompaniments and tracks performed by Matthew Hagle.
Works:
- Cradle Song from Brahms: 5 Songs, Op. 49
- Ysaÿe: Rêve d'enfant, Op. 14
- Rebikov: Berceuse from 3 Morceaux, Op. 7
- Beach: Berceuse, Op. 40, No. 2
- Schwab: Berceuse ècossaise (Scottish Lullaby)
- Respighi: Berceuse from 6 Pieces
- Summertime from Gershwin: Porgy & Bess
- Nana (Lullaby) from Falla: Suite Populaire Espagnole (after 7 Canciones populares Españolas)
- Berceuse from Fauré: Berceuse, Op. 16
- Sibelius: Berceuse from 6 Pieces, Op. 79
- Berceuse from Viardot (García): 6 Morceaux
- Hovhaness: Oror, Op. 1
- Berceuse from Stravinsky: The Firebird (L'Oiseau de feu) (1910)
- Ravel: Berceuse (sur le nom de Gabriel Fauré), M. 74
- Clarke: Lullaby
- Schubert: Wiegenlied (Cradle Song), D 498, Op. 98, No. 2
- R. Schumann: Albumblätter (Album Leaves), Op. 124
- Durosoir: Berceuse from Cinq aquarelles
- Cradle Song from Grieg: Lyric Pieces (Book II), Op. 38
- Antsev: Berceuse from 4 Pieces
- Wiegenlied from Strauss: 5 Lieder, TrV 195, Op. 41
- Sivori: Berceuse, Op. 30
- Béraud: Lullaby for a Little Queen
- No. 1 from Reger: Kompositionen (13 Chorale Preludes), Op. 79b
- Ilyinsky: No. 7 from Noure & Anitra, Op. 13
- Montsalvatge: Nana
- King: Lullaby
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.