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Camille Saint-Saëns

French Operatic Arias for Mezzo-Soprano

19th Century Repertoire

¥6,200
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In stock and typically ships within 1 business day.

Edition Peters  |  SKU: EP7553  |  バーコード: 9790577082905

Description

Complete with translations and guidance on pronunciation. 'As every singer and lover of French opera knows, editions of even the best-known French operatic arias are difficult – and sometimes expensive – to obtain. Roger Nichols' scrupulously balanced selection of 19th-century French arias provides the perfect starting point for widerexploration. Nichols, who has championed French music in his writings, talks and radiobroadcasts over three decades with eloquence and scholarship, is the ideal guide to this repertoire which, even today, is often neglected, misunderstood or inadequately performed.

  • Berlioz: Autrefois un roi (La damnation de Faust)
  • Berlioz: D'amour l'ardente flame (La damnation de Faust)
  • Berlioz: Je vais mourir (Les Troyens)
  • Berlioz: Malheureux roi! (Les Troyens)
  • Bizet: In vain pour éviter (Carmen)
  • Bizet Habanera (Carmen)
  • Biz et: Habanera (Carmen)
  • Bizet: Séguedille (Carmen)
  • Chabrier: Ô petite étoile (L'étoile)
  • Chabrier: Hélas! À l'esclavage (Le roi malgré lui)
  • Donizetti: Ô mon Fernand(La favorite)
  • Gounod: Faites-lui mes aveux (Faust)
  • Gounod: Toute femme tient (Le médecinmalgré lui)
  • Gounod: Que fais-tu, blanche tourterelle (Roméo et Juliette)
  • Massenet: Neme refuse pas! (Hérodiade)
  • Massenet: Va! Laisse couler mes larmes! (Werther)
  • Massenet: Werther! Werther! Werther! (Werther)
  • Meyerbeer: Ah! mon fils, sois béni! ( Le prophète)
  • Saint-Saëns: Amour! viens aider ma faiblesse!(Samson et Dalila)
  • Saint-Saëns: Mon co eur s'ouvre à ta voix (Samson et Dalila)
  • Thomas: Connais-tu le pays (Mignon)
  • Verdi: Ô don fatal (Don Carlos)

Works:

Edition Peters

French Operatic Arias for Mezzo-Soprano

¥6,200

Description

Complete with translations and guidance on pronunciation. 'As every singer and lover of French opera knows, editions of even the best-known French operatic arias are difficult – and sometimes expensive – to obtain. Roger Nichols' scrupulously balanced selection of 19th-century French arias provides the perfect starting point for widerexploration. Nichols, who has championed French music in his writings, talks and radiobroadcasts over three decades with eloquence and scholarship, is the ideal guide to this repertoire which, even today, is often neglected, misunderstood or inadequately performed.

  • Berlioz: Autrefois un roi (La damnation de Faust)
  • Berlioz: D'amour l'ardente flame (La damnation de Faust)
  • Berlioz: Je vais mourir (Les Troyens)
  • Berlioz: Malheureux roi! (Les Troyens)
  • Bizet: In vain pour éviter (Carmen)
  • Bizet Habanera (Carmen)
  • Biz et: Habanera (Carmen)
  • Bizet: Séguedille (Carmen)
  • Chabrier: Ô petite étoile (L'étoile)
  • Chabrier: Hélas! À l'esclavage (Le roi malgré lui)
  • Donizetti: Ô mon Fernand(La favorite)
  • Gounod: Faites-lui mes aveux (Faust)
  • Gounod: Toute femme tient (Le médecinmalgré lui)
  • Gounod: Que fais-tu, blanche tourterelle (Roméo et Juliette)
  • Massenet: Neme refuse pas! (Hérodiade)
  • Massenet: Va! Laisse couler mes larmes! (Werther)
  • Massenet: Werther! Werther! Werther! (Werther)
  • Meyerbeer: Ah! mon fils, sois béni! ( Le prophète)
  • Saint-Saëns: Amour! viens aider ma faiblesse!(Samson et Dalila)
  • Saint-Saëns: Mon co eur s'ouvre à ta voix (Samson et Dalila)
  • Thomas: Connais-tu le pays (Mignon)
  • Verdi: Ô don fatal (Don Carlos)

Works:

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