A Soprano's Duet Book
In stock and typically ships within 1 business day.
- Composers: Camille Saint-Saëns (1835-1921), George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Giuseppe Verdi (1813-1901), Ludwig van Beethoven (1770-1827), Henry Purcell (1659-1695), Gabriel Fauré (1845-1924), Arthur Sullivan (1842-1900), Felix Mendelssohn (1809-1847)
- Editor: Patrick M. Liebergen
- Instrumentation (this edition): Piano, Soprano, Alto, Baritone, Tenor, Strings
- Originally for: Organ, Piano, Voice, SATB Choir, Soprano, Orchestra, Piano Trio (Piano, Violin, Cello), Harp, String Orchestra, Tenor, Opera
- Work Languages: English, German, Italian, Latin
- ISBN:
- Size: 9 x 12.0 inches
- Pages: 96
Description
Compiled, edited, and arranged by Patrick M. Liebergen, "A Soprano's Duet Book" features ten masterwork duets that represent a wide range of styles and composers from the Baroque, Classical, and Romantic Periods brought together for the first time in one collection. Also included in this collection is historical information, thorough IPA pronunciation guides, translations, and suggestions for performance, making it an indispensable resource for duet singing. If instrumental accompaniments were included in the original scores, then the keyboard accompaniments are reductions of those parts. Optional instrumental parts are also included for select pieces.
Works:
- Purcell: Lost is my quiet forever, Z. 502
- O Worship the Lord in the Beauty of Holiness from Handel: O sing unto the Lord a new song (Psalm 96), HWV 249a
- Mein Freund ist mein from Bach: Wachet auf, ruft uns die Stimme (Cantata for the 27th Sunday after Trinity), BWV 140
- Là ci darma la mano from Mozart: Don Giovanni, K. 527
- Oh! Would I were that sweet Linnet from Beethoven: 12 Irish Songs, WoO 154
- So kehrest du wieder from Mendelssohn: Die Hochzeit des Camacho, MWV L 5, Op. 10
- Parigi, o cara from Verdi: La Traviata
- Fauré: Crucifix! (1873)
- Benedictus from Saint-Saëns: Oratorio de Noël (Christmas Oratorio), Op. 12
- None Shall Part Us from Sullivan: Iolanthe
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.