Viola Sonatas by American Composers
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- Composers: Ulysses Kay (1917-1995), Miriam Gideon (1906-1996), Edith Borroff (1925-2019)
- Instrumentation: Piano, Viola
- ISMN:
- Size: 8.9 x 12.0 inches
Description
These three sonatas for viola and piano illuminate the rich variety of tonal and musical ideas that emerged against the background of the middle of the American twentieth century. Written within a decade of each other, their juxtaposition reveals certain musical trends: all three make a point of containing both lyrical ideas and technical, sprightly passages, avoiding the concept of the viola as a mournful elegiac instrument, but each composer uses a distinct tonal and structural approach.
All three sonatas are of advanced or professional difficulty. This is due partly to technical demands, and partly due to the violist needing to adjust to the pitch tendencies of each harmonic language.
Works:
- Kay: Viola Sonata (1942)
- Borroff: Sonatina Giocosa (1952)
- Gideon: Viola Sonata (1946)
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Choral Score
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Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Paperback
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Performance / Playing Score
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Set of Parts
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Solo Part with Piano Reduction
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Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Viola Sonatas by American Composers
