The Violin - A Collection
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- Composers: John Tavener (1944-2013), Judith Weir (1954-), Manuel de Falla (1876-1946), Richard Rodney Bennett (1936-2012), Witold Lutosławski (1913-1994), Philip Glass (1937-), Malcolm Arnold (1921-2006), Michael Nyman (1944-), Francis Poulenc (1899-1963), English Traditional, Peter Maxwell Davies (1934-2016), Brian Chapple (1945-), Kaija Saariaho (1952-2023), Joby Talbot (1971-)
- Instrumentation (this edition): Piano, Violin
- Originally for: Piano, Violin, Orchestra
- ISBN:
- Size: 9.1 x 11.9 inches
- Pages: 104
Description
In February 2005, the Music Sales Group presented a concert of violin music at the Wigmore Hall in London to launch the Wigmore Hall New Music Fund, set up to promote the commissioning and performance of new works for the important international recital venue. This title contains works from that performance by fourteen of the very best contemporary composers, including Philip Glass, Kaija Saariaho and Peter Maxwell Davies, as well as world premieres from Joby Talbot, Craig Armstrong, John Tavener and Judith Weir. The pieces in this book have been specially selected for their accessibility, making this folio suitable for players of a wide range of abilities from elementary level (1st to 3rd position only) to shorter but more challenging, adventurous and unusual works. The set as a whole represents the large amount of variety and character alive in today's top-level compositions. An excellent repertoire source that is fresh, exciting and highly accessible.
Works:
- Traditional: My love is like a red, red rose (arr. Craig Armstrong)
- Bennett: The Ladies' Misfortune
- No. 3 from Arnold: Four Scottish Dances, Op. 59
- Glass: Knee 2
- Lutosławski: Recitativo e Arioso (1951)
- Bennett: Buskin
- Davies: Mrs. Linklater's Tune
- Falla: Danza ritual del fuego (Ritual Fire Dance)
- Chapple: For Latin Lovers
- Nyman: Miserere Paraphrase
- Poulenc: Mouvements perpétuels, FP 14a
- Saariaho: Nocturne
- Talbot: Vanishing Point
- Tavener: Fragment for the Virgin
- Weir: Rain and mist are on the mountain, I'd better buy some shoes
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.