Not finding what you're looking for? Just email us at hello@ficksmusic.com or call us at +1 215-592-1681

James MacMillan

MacMillan: Visions of a November Spring

¥12,600
Shipping calculated at checkout.

Item is backordered and shipping time is unknown right now.

Boosey & Hawkes  |  SKU: M060135125  |  Barcode: 9790060135125
  • Composer: James MacMillan (1959-)
  • Format: Set of Parts
  • Instrumentation: String Quartet (Violin I, Violin II, Viola, Cello)
  • Work: Visions of a November Spring
  • ISMN: 9790060135125
  • Size: 9 x 12.0 inches
  • Pages: 78

Description

Composed in 1988 and revised in 1991, this 28-minute work was commissioned by the University of Glasgow’s McEwen Bequest. The composer stated in 1991, "My first string quartet, Visions of a November Spring, is the peculiar 'odd man out' in my work since it is the nearest thing to an autobiographical statement. The title is an indication that the piece is a celebration of (or comment on) a newly emerging fecundity of expression which seemed to absorb me in the latter part of 1987, and which extended itself through more recent pieces, Bùsqueda (1988), Into the Ferment (1988) and Tryst (1989). As well as marking the beginning of a particularly prolific time for me, it also marked a fusion of earlier influences and a departure in a style of writing which is both naturally and deliberately more direct and explicit."

Boosey & Hawkes

MacMillan: Visions of a November Spring

¥12,600

Description

Composed in 1988 and revised in 1991, this 28-minute work was commissioned by the University of Glasgow’s McEwen Bequest. The composer stated in 1991, "My first string quartet, Visions of a November Spring, is the peculiar 'odd man out' in my work since it is the nearest thing to an autobiographical statement. The title is an indication that the piece is a celebration of (or comment on) a newly emerging fecundity of expression which seemed to absorb me in the latter part of 1987, and which extended itself through more recent pieces, Bùsqueda (1988), Into the Ferment (1988) and Tryst (1989). As well as marking the beginning of a particularly prolific time for me, it also marked a fusion of earlier influences and a departure in a style of writing which is both naturally and deliberately more direct and explicit."

View product