German Organ and Keyboard Music of the 17th Century - Volume 2
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- Composers: Melchior Woltmann, Weisthoma Bartholomäus, Christoph Walter, Nicolaus Adam Strungk, Samuel Michaelis, Johann Kuhnau (1660-1722), Johann Erasmus Kindermann, Christian Herbig, Caspar Haßler, Matthias Kinigl, Johann Heinrich Buttstett, Peeter Cornet, Hieronimus Brehme, Christian Erbach (1568-1635), Peter Philips (1560-1628)
- Instrumentation: Organ
- ISMN:
- Size: 12.0 x 9.1 inches
- Pages: 106
- Urtext / Critical Edition
Description
Siegbert Rampe's recently finished two-volume edition takes us back to the early 17th century to discover a wealth of valuable keyboard compositions.
The second volume, like the first, consists entirely of first publications, this time of pieces by Buttstedt , Erbach , Kindermann , Philips, Christoph Walter and others. with their remarkable contrapuntal intricacy and formal mastery, these pieces invite harpsichord players and organists to diversify their recitals. Sometimes the reader is offered a glimpse of incalculable educational value into previously unknown organ specifications. Our scholarly-critical edition is rigorously based on the surviving source material and contains a critical report, a catalogue of sources, and a detail preface with sections devoted to ornamentation, editorial technique and performance practice.
Anonymous Praeludium in D Minor
Anonymus Trompet in D Minor
Anonymus Cornet in D Minor
Anonymus Praeludium in G Minor
Anonymus Fantasia in G Minor
Anonymus Tocata in F Major
Anonymus Fantasia in F Major
Brehme, Hieronimus Paduann in C Major
Buttstett, Johann Heinrich Gelobet seÿstu Jesu Christ
Buttstett, Johann Heinrich Vom Himmel hoch da komm ich her
Cornet, Peeter Fantasia in E Minor
Cornet, Peeter Den Lustelyiken may in G Major
Erbach, Christian Canzona in E Major
Haßler, Caspar Fantasia in C Major
Herbig, Christian Canzon in D Minor Vater unser im Himmelreich
Herbig, Christian Canzona in D Minor Wir glauben all an einen Gott
Herbig, Christian Canzona supra Nun kom der Heÿden Heyland in G Minor
Herbig, Christian Canzona. supra Christ lag in todes banden in D Minor
Kindermann, Johann Erasmus Toccata in C Major
Kindermann, Johann Erasmus Toccata ex G.
Kinigl, Matthias Toccata in C Major
Kuhnau, Johann Praeludium in D Minor
Michaelis, Samuel Toccata ex F
Olter, Marcus Canzona in F Minor
Philips, Peter Almande d'amor in G Minor
Philips, Peter Che fa in D Minor
Philips, Peter Den lustelijken mei in G Major
Philips, Peter Liquide perle amor in G Major
Philips, Peter Madrigal Horatio Vechi Se desio de fugir in D Minor
Anonymus / Schädlich, David Partita in C Major Allemand · Couranta nova · Sarabanda · Ballet · Sirenea
Strungk, Nicolaus Adam Capriccio I mi Tuoni in D Minor Genesis of the work: 1686
Strungk, Nicolaus Adam Ricercar in G Major Sopra la Morte della mia carissima Madre Catharina Maria Stubenrauen Genesis of the work: 1685
Walter, Christoph Paduan in F Major
Walter, Christoph Fantasia in D Minor
Walter, Christoph Fantasia in D Minor
Walter, Christoph Fantasia in G Minor
Walter, Christoph Fantasia in A Minor
Walter, Christoph Fantasia in F Major
Bartholomäus, Weisthoma Toccata in D Minor
Bartholomäus, Weisthoma Toccata in C Major
Woltmann, Melchior Von Gott wil [ich] nicht lassen
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
German Organ and Keyboard Music of the 17th Century - Volume 2
