Arias for Baritone
G. Schirmer Opera Anthology
Expected to ship in 1-2 weeks.
- Composers: Douglas Moore (1893-1969), Wolfgang Amadeus Mozart (1756-1791), Ruggero Leoncavallo (1857-1919), Ambroise Thomas (1811-1896), Giuseppe Verdi (1813-1901), Richard Wagner (1813-1883), Engelbert Humperdinck (1854-1921), Samuel Barber (1910-1981), Gioachino Rossini (1792-1862), Amilcare Ponchielli (1834-1886), Gaetano Donizetti (1797-1848), Charles Gounod (1818-1893), Georges Bizet (1838-1875), Jules Massenet (1842-1912), Giacomo Puccini (1858-1924), Vincenzo Bellini (1801-1835)
- Editor: Robert L. Larsen
- Instrumentation (this edition): Piano, Baritone
- Originally for: Opera
- Work Languages: English, French, German, Italian
- ISBN:
- Size: 8.5 x 11 inches
- Pages: 216
Description
Contents:
– Mozart: Hai già vinta la causa! ...Vedro mentr'io sospiro (Le Nozze di Figaro) - Fin ch'an dal vino (Don Giovanni) - Deh vieni alla finestra (Don Giovanni) - Donne mie, la fate a tanti (Così fan tutte) - Der Vogelfanger bin ich ja (Die Zauberflöte) - Ein Mädchen or Weibchen (Die Zauberflöte)
– Rossini: Largo al factotum (Il Barbiere di Siviglia)
– Donizetti: Come Paride vezzoso (L'Elisir d'Amore) - Bella Sicome un angelo (Don Pasquale)
– Bellini: Ah! per sempre (I Puritani)
– Wagner: O! du mein holder Abendstern (Tannhäuser)
– Verdi: Pari Siamo! (Rigoletto) - Di Provenza il mar, il suol (La Traviata)
– Thomas: O vin, dissipe la tristesse (Hamlet)
– Gounod: Mab, la reine des mensonges (Roméo et Juliette) - Avant de quitter ces lieux (Faust)
– Bizet: Votre toast, je peux vous le rendre (Carmen)
– Ponchielli: Ah! Pescator (La Gioconda)
– Massenet: Vision fugitive (Herodiade) - Voilà donc la terrible cité (Thaïs)
– Leoncavallo: Zazà, piccola zingara (Zazà) - Si può? Si può? (I Pagliacci)
– Puccini: Minnie, dalla mia casa son partito (La Fanciulla del West) - Questo amor, vergogna mia (Edgar)
– Moore: Warm as the autumn night (The Ballad of Baby Doe)
– Barber: You rascal you! I never knew you had a soul (Vanessa)
– Humperdinck: Ach, wir armen Leute (Hänsel and Gretell)
Works:
- Moore: "Warm as the autumn light" from The Ballad of Baby Doe (1956)
- "Largo al factotum" from Rossini: The Barber of Seville (Il barbiere di Siviglia)
- "Votre toast, je peux voux le rendre" from Bizet: Carmen
- "Donne mie, la fate a tanti" from Mozart: Così fan tutte, K. 588
- "Fin ch'han dal vino" from Mozart: Don Giovanni, K. 527
- "Deh, vieni alla finestra" from Mozart: Don Giovanni, K. 527
- "Bella siccome un angelo" from Donizetti: Don Pasquale, A. 64
- "Questo amor, vergogna mia" from Puccini: Edgar (1888)
- "Come Paride vezzoso" from Donizetti: L'elisir d'amore, A. 36
- "Minnie, dalla mia casa son partito" from Puccini: La fanciulla del West, SC 78
- "Avant de quitter ces lieux" from Gounod: Faust, CG 4
- "Ah! Pescator" from Ponchielli: La Gioconda
- "Ô vin, dissipe la tristesse" from A. Thomas: Hamlet
- "Ach, wir armen Leute" from Humperdinck: Hänsel and Gretel
- "Vision fugitive" from Massenet: Hérodiade
- "Hai già vinta la causa!.. Vedrò mentr'io sospiro" from Mozart: Le nozze di Figaro (The Marriage of Figaro), K. 492
- "Si può? Si può?" from Leoncavallo: Pagliacci
- "Ah! per sempre io ti perdei" from Bellini: I Puritani
- "Pari siamo!" from Verdi: Rigoletto
- "Mab, la reine des mensonges" from Gounod: Roméo et Juliette, CG 9
- "O! du mein holder Abendstern" from Wagner: Tannhäuser, WWV 70
- "Voilà donc la terrible cité" from Massenet: Thaïs, DO 24
- "Di Provenza il mar, il suol" from Verdi: La Traviata
- "You rascal, you! I never knew you had a soul" from Barber: Vanessa, Op. 32
- "Der Vogelfänger bin ich ja" from Mozart: Die Zauberflöte (The Magic Flute), K. 620
- "Ein Mädchen oder Weibchen" from Mozart: Die Zauberflöte (The Magic Flute), K. 620
- "Zazà, piccola zingara" from Leoncavallo: Zazà
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.