24 Italian Songs & Arias of the 17th & 18th Centuries
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- Composers: Alessandro Scarlatti (1660-1725), Claudio Monteverdi (1567-1643), Giovanni Battista Pergolesi (1710-1736), Francesco Durante (1684-1755), Giovanni Battista Bononcini (1670-1747), Antonio Caldara (1670-1736), Giulio Caccini (1551-1618), Giacomo Carissimi (1605-1674), Alessandro Parisotti (1853-1913), Giuseppe Giordani (1744-1798), Antonio Lotti (1667-1740), Giovanni Legrenzi (1626-1690), Giovanni Paisiello (1740-1816), Alessandro Stradella (1645-1682), Christoph Willibald Gluck (1714-1787), Benedetto Marcello (1686-1739), Giuseppe Torelli (1658-1709)
- Instrumentation (this edition): Piano, Voice
- Originally for: Piano, Voice, Basso continuo, Keyboard, Opera
- Work Languages: English, Italian
- ISBN:
- Size: 9.0 x 12.0 inches
- Pages: 104
Description
This collection of carefully prepared recorded piano accompaniments (John Keene, pianist) will become a valuable tool for any student of singing. The book has long been a standard in teaching literature and is very likely to be the first publication a voice teacher would ask a beginning student to buy. John Keene is a concert accompanist and vocal coach based in New York City. He has performed throughout the United States and for radio and television. Educated at the University of Southern California, he has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas.
Contents:
- Alma Del Core (Caldara)
- Amarilli, Mia Bella (Caccini)
- Caro mio ben (Giordani)
- Che Fiero Costume (Legrenzi)
- Comme Raggio di Sol (Caldara)
- Danza, Danza, Fanciulla Gentile (Durante)
- Gia Il Sole Dal Gange (A. Scarlatti)
- Il Mio Bel Foco (Marcello)
- Lasciatemi Morire (Monteverdi)
- Le Violette (A. Scarlatti)
- Nel Cor Piu Non Sento (Paisiello)
- Nina (Pergolesi)
- Non Posso Disperar (De Luca)
- O Cessate Di Piagarmi (A. Scarlatti)
- O Del Mio Dolce Ardor (Gluck)
- Per La Gloria D'Adorarvi (Bononcini)
- Pieta, Signore (Stradella)
- Pur Dicesti, O Bocca Bella (Lotti)
- Se Florindo E Fedele (A. Scarlatti)
- Se Tu M'ami, Se Sospiri (Pergolesi)
- Sebben, Crudele (Caldara)
- Tu Lo Sai (Torelli)
- Vergin, Tutto Amor (Durante)
- Vittoria, Mio Core (Carissimi)
Works:
- "Per la gloria d'adorarvi" from Bononcini: Griselda (1722)
- G. Caccini: Amarilli
- "Alma del core" from Caldara: La Costanza in amor vince l'inganno
- Caldara: Come raggio di sol
- "Sebben, crudele" from Caldara: La Costanza in amor vince l'inganno
- Carissimi: Vittoria, mio core!
- Bononcini: Non posso disperar
- Durante: Danza fanciulla gentile
- Durante: Vergin, tutta amor
- Giordani: Caro mio ben
- "O del mio dolce ardor" from Gluck: Paride ed Elena, Wq. 39
- "Che fiero costume" from Legrenzi: Echi di Riverenza di Cantate, e Canzoni. Libro Secondo, Op. 14
- Lotti: Pur dicesti, o bocca bella
- B. Marcello: Quella fiamma che m'accende ("Il mio bel foco")
- Monteverdi: Lasciatemi morire, SV 22
- "Nel cor più non mi sento" from Paisiello: L'amor contrastato (1789)
- Parisotti: Se tu m'ami (1885)
- Pergolesi: Nina (Tre giorni)
- "Già il sole dal Gange" from A. Scarlatti: L'honestà negli amori (1680)
- "Le violette" from A. Scarlatti: Pirro e Demetrio (1694)
- "O cessate di piagarmi" from A. Scarlatti: Pompeo
- "Se Florindo è fedele" from A. Scarlatti: La donna ancora è fedele (1698)
- Stradella: Signore Pietà
- Torelli: Tu lo sai
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
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A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
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For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.