Shostakovich: Waltzes from Film Music
New Collected Works Volume 34
Expected to ship in 2-3 weeks.
- Composer: Dmitri Shostakovich (1906-1975)
- Format: Full Score
- Instrumentation: Orchestra
- Binding: Hardcover
- ISMN:
- Size: 8.9 x 11.7 inches
Description
Dmitri Shostakovich's catalogue contains a large number of compositions named "Suite", primarily consisting of excerpts from stage-related works—suites from operas, ballets and incidental scores for theatre performances.
The composer himself authored the earliest ones—Suite from The Nose, Op. 15a, Suite from The Golden Age, Op. 22a, Suite from The Bolt, Op. 27a and Suite from the music for Hamlet, Op. 32a. Later, other musicians, such as conductors Mikhail Khvostov, Aleksandr Gauk, Albert Coates, Yuri Silantyev and Gennady Rozhdestvensky, musicologist Sofya Khentova and composer Gerard McBurney, began compiling suites from Shostakovich's music.
Levon Atovmyan, Shostakovich's close friend, composer, experienced arranger, compiler and editor of more than twenty suites featuring Shostakovich's music, was particularly productive in this respect. The bestknown and most in demand are his Ballet Suites Nos. 1-4 based on music from the ballet The Limpid Stream.
One of the best known collections of Shostakovich's film music is Waltzes from Films for symphony orchestra (first published by Moscow's Sovetsky Kompozitor in 1959). The cycle of eight waltzes is not Shostakovich's own project, but the collection became popular under his name without mention of Atovmyan as the author and compiler. It is performed by conductors both in its entirety and as separate items and included in the repertoires of orchestras all over the world.
Works:
- Waltz from Pirogov, Op. 76
- Waltz from Michurin, Op. 78
- Waltz from The Gadfly, Op. 97
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.