Gesualdo: Responsoria for Holy Week
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- Composer: Carlo Gesualdo (1566-1613)
- Editors: Glenn E Watkins, Wilhelm Weismann
- Instrumentation (this edition): SATB Choir
- Originally for: SATB Choir
- Work: Responsoria et alia ad Officium Hebdomadæ Sanctæ spectantia (1611)
- Work Language: Italian
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 116
- Urtext / Critical Edition
Description
Carlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.
Tenebrae Responsories for Maundy Thursday
- in monte Oliveti
- Tristis est anima mea
- Ecce vidimus eum
- Amicus meus osculi
- Judas mercator pessimus
- Unus ex discipulis meis
- Eram quasi agnus innocens
- Una hora non potuistis
- Seniores populi consilium
Tenebrae Responsories for Good Friday
- Omnes amici mei dereliquerunt me et praevaluerunt insidiantes mihi
- Velum templi scissum est
- Vinea mea electa, ego te plantavi
- Tamquam ad latronem existis cum gladiis et fustibus cemprehendere me
- Tenebrae factae sunt, dum crucifixissent Jesum Judaei
- Animam meam dilectam tradidi in manus iniquorum
- Tradiderunt me in manus impiorum
- Jesum tradidit impius summis principibus sacerdotum, et senioribus populi
- Caligaverunt oculi mei fletu meo
Tenebrae Responsories for Holy Saturday
- Sicut ovis ad occisionem
- Jerusalem, surge
- Plange quasi virgo
- Recessit pastor noster
- O vos omnes
- Ecce quomodo moritur justus
- Astiterunt reges terrae
- Aestimatus sum
- Sepulto Domino
"et alia" – settings of:
- Miserere mei, Deus (Psalm 51)
- Benedictus (Luke 1:68–79)
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Paperback
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Performance / Playing Score
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Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.