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Lodewijk de Vocht

De Vocht: Woudgetover

Forest Enchantment

$49.00
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Musikproduktion Höflich  |  SKU: MPH2650
  • Composer: Lodewijk de Vocht (1887-1977)
  • Editor: Hans Swinnen
  • Format: Full Score
  • Instrumentation: Orchestra
  • Work: Woudgetover (Forest Enchantment) (1924)
  • Size: 8.9 x 12.4 inches
  • Pages: 60

Description

After Morgenstemming and Ontwaking, Woudgetover is the third orchestral work in which De Vocht aims to express his being enchanted by nature and its sounds. What is striking in this impressionistic work is the density of sound: truly all orchestral instruments, two harps and a celesta included, are engaged from beginning to end, albeit in nuances between pianissimo and mezzo-forte. At times, the volume gradually swells, only to fade back into soft, nuanced tones. While in the orchestra ‘everything that has life moves', the sounding result is curiously a sense of motionlessness. Consequently, there is no modulation in Woudgetover: E as tonic and B as dominant are throughout the piece the foundations on which everything is based.

De Vocht created the work on March 17, 1924, in Antwerp with the Orchestra of the Society of New Concerts, which he conducted from 1921 to 1933. Apparently he was not satisfied with this introverted work for his standards; he would never perform the work (or have it performed) again. in 1986, Hans Swinnen revised and edited the work based on the autograph manuscript, and the following year the work was recorded by the BRT Philharmonic Orchestra conducted by Fernand Terby on the occasion of the composer's centenary.

Musikproduktion Höflich

De Vocht: Woudgetover

$49.00

Description

After Morgenstemming and Ontwaking, Woudgetover is the third orchestral work in which De Vocht aims to express his being enchanted by nature and its sounds. What is striking in this impressionistic work is the density of sound: truly all orchestral instruments, two harps and a celesta included, are engaged from beginning to end, albeit in nuances between pianissimo and mezzo-forte. At times, the volume gradually swells, only to fade back into soft, nuanced tones. While in the orchestra ‘everything that has life moves', the sounding result is curiously a sense of motionlessness. Consequently, there is no modulation in Woudgetover: E as tonic and B as dominant are throughout the piece the foundations on which everything is based.

De Vocht created the work on March 17, 1924, in Antwerp with the Orchestra of the Society of New Concerts, which he conducted from 1921 to 1933. Apparently he was not satisfied with this introverted work for his standards; he would never perform the work (or have it performed) again. in 1986, Hans Swinnen revised and edited the work based on the autograph manuscript, and the following year the work was recorded by the BRT Philharmonic Orchestra conducted by Fernand Terby on the occasion of the composer's centenary.

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