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Michael Nyman

Nyman: MGV

Musique à Grande Vitesse

$110.00
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Chester Music  |  SKU: CH60952  |  Barcode: 9781783056200
  • Composer: Michael Nyman (1944-)
  • Format: Full Score
  • Instrumentation: Orchestra
  • Work: MGV (Musique à Grande Vitesse)
  • ISBN: 9781783056200
  • Size: 9.6 x 13.6 inches
  • Pages: 160

Description

Michael Nyman 's Musique A Grande Vitesse (MGV) translates as ‘high speed music' and was commissioned by the Festival de Lille for the inauguration of the TGV NorthEuropeanParis-Lille line in 1993.

This piece of sheet music runs continuously, but was conceived as an abstract, imaginary journey; or rather five inter-connected journeys, each ending with a slow, mainly stepwise melodywhich isonly heard in its 'genuine' form when the piece reaches its destination.

Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic, melodic, harmonic, motivic,textural -constantly change their identity as they pass through different musical 'environments'.

The opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8- and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E andA)begins the second section, featuring Brass, in D-flat.

The topography of MGV should be experienced without reference to planning, description or timetables. Its tempo changes and unpredictable slowingsdownbear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitablytheband (amplified in live performance) lays down the tracks on which MGV runs.

Chester Music

Nyman: MGV

$110.00

Description

Michael Nyman 's Musique A Grande Vitesse (MGV) translates as ‘high speed music' and was commissioned by the Festival de Lille for the inauguration of the TGV NorthEuropeanParis-Lille line in 1993.

This piece of sheet music runs continuously, but was conceived as an abstract, imaginary journey; or rather five inter-connected journeys, each ending with a slow, mainly stepwise melodywhich isonly heard in its 'genuine' form when the piece reaches its destination.

Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic, melodic, harmonic, motivic,textural -constantly change their identity as they pass through different musical 'environments'.

The opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8- and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E andA)begins the second section, featuring Brass, in D-flat.

The topography of MGV should be experienced without reference to planning, description or timetables. Its tempo changes and unpredictable slowingsdownbear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitablytheband (amplified in live performance) lays down the tracks on which MGV runs.

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