Bunting: Three Pieces for Cello Ensemble
Expected to ship in 1-2 weeks.
- Composer: Christopher Bunting (1924-2005)
- Format: Score & Set of Parts
- Instrumentation: Cello Ensemble
- ISMN:
Description
These three pieces for advanced players are great fun to play – perhaps in the break of an orchestra rehearsal, or on a music course, or even in a sectional rehearsal when the work to be rehearsed has been perfected?
The composer, Christopher Bunting (1924-2005), was a well known cellist and teacher who gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ‘a master'. Die Welt remarked on his ‘highly developed musical comprehension, prodigious technique and outstanding artistry', and the Swedish press called him ‘one of the greatest instrumentalists of today'. He thought deeply about the psychological and physical influences that lie behind technique. He is, perhaps, best known for his two volume work (published and sold as separate volumes by SJ Music), Essay on the Craft of 'Cello-Playing (B2000-4 and B2000-5). These volumes give his insights in a commentary interspersed with exercises designed to produce rapid development of instrumental skill.
Players of this Bunting piece will also enjoy his Elegy, published by SJ Music (D1998-3). If you like the sound of cellos playing together, you will also like these pieces published by SJ Music: Lindley cello duets opus 4 (D1989-6), Chinzer six sonatas for two cellos (D1993-8), Emanuel Moor Suite for four cellos (E2008-2), Gabrielli canon for two cellos (D1988-4), Gordon Jacob: cello octet (E2007-2), and Davidov Hymn for 10 cellos, 2 basses and timps (E2010 -1)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.