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Johann Sebastian Bach

Bach: Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179

Cantata for the 11th Sunday after Trinity

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Carus  |  SKU: CV31.179/03  |  Barcode: 9790007049966
  • Composer: Johann Sebastian Bach (1685-1750)
  • Arranger: Paul Horn
  • Editor: Reinhold Kubik
  • Instrumentation (this edition): Piano Reduction, SATB Choir
  • Originally for: SATB Choir, Chamber Orchestra
  • Work: Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Cantata for the 11th Sunday after Trinity), BWV 179
  • Work Languages: English, German
  • ISMN: 9790007049966
  • Size: 7.5 x 10.6 inches
  • Pages: 36

Description

The cantata Seihe zu, dass deine Gottesfurcht nicht Heuchelei sei (See to it that your fear of God be not hypocrisy), BWV 179 opens with a motet-like chorus in the old style without obbligato instruments. This is initially a counter-fugue, i.e., each subject entry is the inversion of its predecessor. Immediately striking is the chromatic treatment (often interwoven in more than one voice) of the word "falschem" (false). The emotional climax of the cantata is the second aria, "Liebster Gott, erbarme dich", accompanied by two oboes da caccia and bc, whose soprano melody unfolds over the flowing lines of the two oboes. The cantata ends with the song "Ich armer Mensch, ich armer Sünder", arranged with unusually independent, rhythmically accented lower voices.

Carus

Bach: Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179

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Description

The cantata Seihe zu, dass deine Gottesfurcht nicht Heuchelei sei (See to it that your fear of God be not hypocrisy), BWV 179 opens with a motet-like chorus in the old style without obbligato instruments. This is initially a counter-fugue, i.e., each subject entry is the inversion of its predecessor. Immediately striking is the chromatic treatment (often interwoven in more than one voice) of the word "falschem" (false). The emotional climax of the cantata is the second aria, "Liebster Gott, erbarme dich", accompanied by two oboes da caccia and bc, whose soprano melody unfolds over the flowing lines of the two oboes. The cantata ends with the song "Ich armer Mensch, ich armer Sünder", arranged with unusually independent, rhythmically accented lower voices.

Format

  • Vocal Score
  • Study Score
  • Full Score
  • Full Score - Digital Download
  • Complete Orchestral Parts
  • Organ
  • Choral Score
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