Chou: Cello Concerto
This item is made to order and typically ships within 1-2 weeks.
- Composer: Wen-chung Chou (1923-2019)
- Format: Full Score
- Instrumentation: Cello, Orchestra
- Work: Cello Concerto (1992)
- ISMN:
- Pages: 116
Description
In his program notes, Chou Wen-Chung describes his Concerto for Cello and Orchestra as a fusion of mid-century American modernism, European classical form, and East Asian aesthetics, adapting the classical model of the concerto – a three-movement work juxtaposing a soloist against a large ensemble – into a portrait of the individual surrounded by natural beauty, as in Chinese landscape painting. Thus its three movements bear the suggestive titles "Rocks, Clouds and Wind", "Musings on the Mountain", and "Cascades, Whirlpools and Rapids", and its pitch content is based on Chinese variable modes. The open strings, stopped notes, and harmonics of the cello part can also be taken to represent Taoist concepts of earth, humanity, and heaven, respectively.
Though originally commissioned by Paul Tobias with a grant from the New York State Council on the Arts' American Bicentennial program, the composition of the concerto was interrupted for over a decade. Between Chou's first draft of the cello part in 1978 and the completion of the concerto in 1992, the piece was radically reworked, and it received its premiere in 1993 by Janos Starker and the American Composers Orchestra under the baton of Dennis Russell Davies.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.