Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43
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- Composer: Sergei Rachmaninoff (1873-1943)
- Editor: Norbert Gertsch
- Format: Solo Part with Piano Reduction
- Instrumentation (this edition): Piano, Piano Reduction
- Originally for: Piano, Orchestra
- Work: Rhapsody on a Theme of Paganini, Op. 43
- ISMN:
- Size: 9.3 x 12.2 inches
- Pages: 77
- Urtext / Critical Edition
Description
Sergei Rachmaninoff's Rhapsody on a theme of Paganini was his last and at the same time most significant work for piano and orchestra. As a cycle of variations on Paganini's 24th Caprice from Op. 1, it stands in the tradition of the great works on this famous theme by Franz Liszt and Johannes Brahms. "It's something for the audiences", wrote the reviewer of the New Yorker about one of the first performances of this Rhapsody with the composer at the piano, "the succession of brilliances for the piano, dramatic references to the Dies Irae, wide-open Schmalz for divided strings, and old-fashioned bravura".
Alongside the Second and Third Piano Concertos, this brilliant work today numbers among Rachmaninoff's most frequently performed compositions. for this first Urtext edition of the Rhapsody, the editor was able to consult both the autograph held by the Library of Congress and the first edition, the publication of which was supervised by the composer. in addition to the solo part, the piano reduction offers a very playable arrangement of the orchestral setting. Parallel with the present edition, the score and orchestral parts have been published in cooperation with Breitkopf & Härtel.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.