French Art Songs for School and Studio
Expected to ship in 1-2 weeks.
- Composers: Camille Saint-Saëns (1835-1921), César Franck (1822-1890), Henri Duparc (1848-1933), Nicolas Dalayrac, Benjamin Godard (1849-1895), Claude Debussy (1862-1918), Gabriel Fauré (1845-1924), Charles-Marie Widor (1844-1937), Édouard Lalo (1823-1892), Cécile Chaminade (1857-1944), Jules Massenet (1842-1912)
- Editors: Mabelle Glenn, Bernard Taylor
- Format: Medium-high Voice
- Instrumentation: Piano, Medium-High Voice
- ISBN:
- Pages: 72
Description
Contents
- C'est mon ami (He is my love) by Queen Marie Antoinette
- Chant Hindou (Hindoo song) by Hermann Bemberg
- Tu me dirais (If thou shouldst tell me) by Cecile Chaminade
- Que je t'oublia? (Could I forget?) by Hedwige Chretien
- Jeune fillette (Maidens, remember) by Nicolas Dalayrac
- Romance (1880) by Claude Debussy
- Les cloches (The bells) by Claude Debussy
- Extase (Ecstasy) by Henri Duparc
- Le manoir de Rosemonde (Rosamond's manor) by Henri Duparc
- Les berceaux (The cradles) by Gabriel Fauré
- Lied (The gathered rose) by Cesar Franck
- Te souviens-tu? (Remembrance) by Benjamin Godard
- Si mes vers avaient des ailes! (Could my songs their way be winging) by Reynaldo Hahn
- L'heure exquise (The perfect hour) by Reynaldo Hahn
- L'esclave (The captive) by Edouard Lalo
- Ouvre tes yeux bleus (Open thy blue eyes) by Jules Massenet
- Que l'heure est donc breve! (How brief is the hour!) by Jules Massenet
- La belle table est mise (Beneath the verdant arbor) by Noel Provencal
- Clair de lune (Moonlight) by Camille Saint-Saëns
- Soupir (The sigh) by Charles Widor
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.