Liszt: Piano Transcriptions VIII
New Liszt Edition - Volume 23
Expected to ship in 1-2 weeks.
- Composer: Franz Wagner (1856-1908)
- Editors: Imre Sulyok, Adrienne Kaczmarczyk
- Instrumentation (this edition): Piano
- Originally for: Piano
- Work: O du mein holder Abendstern (Version for Piano) (Rezitativ and Romanze aus Tannhäuser)
- Binding: Hardcover
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 196
- Urtext / Critical Edition
Description
Volume 28 of the New Liszt Edition and the soft paper bound series Liszt: Klavierwerke. All of these transcriptions are faithful to the original scores, and were made by Liszt in the 1840s.
This edition is illustrated with facsimiles of Liszt's manuscripts and is published as a clothbound volume with a preface in German and English and the critical notes in English, while the version for practical purposes is published without critical notes as a soft paper bound volume.
Contents
- Carl Maria von Webers Ouvertüren. Ouvertüre zur Oper Oberon, R. 288 G. 574
- Carl Maria von Webers Ouvertüren. Ouvertüre aus der Oper Der Freischütz, R. 289 G. 575
- Carl Maria von Webers Ouvertüren. Jubelouvertüre, R. 290 G. 576
- Deux transcriptions d'apres Rossini 1. Air du Stabat Mater (Cujus animam), R. 238 G. 553
- Deux transcriptions d'apres Rossini 2. La Charit
- Johann Nepomuk Hummels Grosses Septett in d Minor, Op. 74, R. 172 G. 493
- Ouvertüre zu Tannhäuser von Richard Wagner, R. 275 G. 442
- 'O du mein holder Abendstern'. Rezitativ and Romanze aus der Oper Tannhäuser von Richard Wagner, R. 277 G. 444
- Beethovens Lieder 1. Mignon, R. 123 G. 468
- Beethovens Lieder 2. Mit einem gemalten Bande, R. 123 G. 468
- Beethovens Lieder 3. Freudvoll and leidvoll,R. 123 G. 468
- Beethovens Lieder 4. Es war einmal ein König, R. 123 G. 468
- Beethovens Lieder 5. Wonne der Wehmut, R. 123 G. 468
- Beethovens Lieder 6.Die Trommel gerühret, R. 123 G. 468
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.