Test Pieces for Orchestral Auditions - Double Bass
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- Instrumentation: Double Bass
- ISMN:
- Size: 9.1 x 11.9 inches
- Pages: 62
Description
Contents:
- Symphony No. 3, Op. 55, 3rd and 4th movements (Beethoven)
- Symphony No. 5, Op. 67, 2nd and 3rd movements (Beethoven)
- Symphony No. 9, Op. 125, 4th movement (Beethoven)
- Wozzeck, 2nd Act (Berg)
- Symphony No. 2, Op. 73, 4th movement (Brahms)
- Symphony No. 4, 4th movement (Bruckner)
- Symphony No. 6, 1st movement (Bruckner)
- Symphony No. 1, 1st and 4th movements (Bruckner)
- Symphony No. 40, K. 550, 1st and 4th movements (Mozart)
- Symphony No. 41, K. 551, 4th movement (Mozart)
- Marraige of Figaro Overture, K. 492 (Mozart)
- Magic Flute Overture, K. 620 (Mozart)
- Symphony No. 8, 3rd and 4th movements (Schubert)
- Die verkaufte Braut Overture (Smetana)
- Till Eulenspiegels lustige Streiche, Op. 28 (Strauss)
- Don Juan, Op. 20 (Strauss)
- Ein Heldenleben, Op. 40 (Strauss)
- Salome, Op. 54, 4th Scene (Strauss)
- Der Rosenkavalier, Op. 59, 2nd Act Introduction (Strauss)
- Rigoletto, 1st Act, No. 1 (Verdi)
- La Traviata, 1sr Act 4th Scene, 2nd Act 7th and 8th Scenes (Verdi)
- Die Macht des Schicksals Overture (Verdi)
- Aida, 4th Act (Verdi)
- Othello, 4th Act (Verdi)
- Falstaff, 3rd Act, 1st Scene (Verdi)
- Die Meistersinger von Nürnberg, 1st Act 3rd Scene 2nd Act 7th Scene (Wagner)
- Die Walküre: 1st Act, Introduction, 1st and 2nd Scene; 2nd Act, Introduction, 1st and 5th Scenes; 3rd Act, 1st Scene (Wagner)
- Siegfried, 2nd Act, 3rd Scene and 3rd Act Introduction (Wagner)
- Der Freisschütz Overture, Op. 77 (Weber)
- Euryanthe Overture, Op. 81 (Weber)
- Oberon Overture (Weber). Solo Selections: Wozzek, 3rd Act (Berg)
- Lulu, 1st Act, Prologue amd 2nd Act, 1st Scene (Berg)
- Symphony No. 3 (Hartmann)
- Symphony No. 1, 3rd movement (Mahler)
- Palestrina, 1st Act, 3rd and 5th Scenes (Pfitzner)
- Ariadne auf Naxos, Op. 60, 2nd Act (Strauss)
- Pulcinella Suite, 7th Act (Stravinsky)
- Rigoletto, 1st Act, No. 3 (Verdi)
- Die Soldaten, 3rd Act, 4th Scene (Zimmermann)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.