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Claude Debussy

Debussy: 6 Préludes (arr. for flute & string trio)

$53.00
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Gérard Billaudot Éditeur  |  SKU : GB10069  |  Code-barres: 9790043100690
  • Composer: Claude Debussy (1862-1918)
  • Arranger: Alain Louvier
  • Format: Set of Parts
  • Instrumentation (this edition): Flute, String Trio (Violin, Viola, Cello)
  • Originally for: Piano
  • ISMN: 9790043100690

Description

An ardent worshipper of Debussy for as long as I can remember, If aced a moral dilemma when I set out to arrange his marvelous Préludes.

To an arranger with orchestrating skills, the charming quartet for flute and string trio ojfers infinite possibilities for subt!e gradations of nuances: four virtuoso instru ments , some polyphonie but ail with iridescent timbres...

Yet nothing in Debussy's output could serve as a mode! for such work, except the much earlier String quartet and the Sonata for flute, alto and. . . harp.'

Indeed, could one imagine La Cathédrale Engloutie (The Sunken Cathedra!) or La Terrasse des audiences du clair de lune (The Terrace for Moonlight Audiences) without the addition of a harp (that has nearly the same range as a piano)? Four non-resonant instruments cannot Jully render the poetical, almost rnagica.l long resonances of the low register of the piano.

Keen to remain true to the very essence of Debussy's music, I restricted myself to a handful of Préludes.

Alain WlMER

Works:

N/A
Gérard Billaudot Éditeur

Debussy: 6 Préludes (arr. for flute & string trio)

$53.00

Description

An ardent worshipper of Debussy for as long as I can remember, If aced a moral dilemma when I set out to arrange his marvelous Préludes.

To an arranger with orchestrating skills, the charming quartet for flute and string trio ojfers infinite possibilities for subt!e gradations of nuances: four virtuoso instru ments , some polyphonie but ail with iridescent timbres...

Yet nothing in Debussy's output could serve as a mode! for such work, except the much earlier String quartet and the Sonata for flute, alto and. . . harp.'

Indeed, could one imagine La Cathédrale Engloutie (The Sunken Cathedra!) or La Terrasse des audiences du clair de lune (The Terrace for Moonlight Audiences) without the addition of a harp (that has nearly the same range as a piano)? Four non-resonant instruments cannot Jully render the poetical, almost rnagica.l long resonances of the low register of the piano.

Keen to remain true to the very essence of Debussy's music, I restricted myself to a handful of Préludes.

Alain WlMER

Works:

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