The Oxford Book of Choral Music by Black Composers
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- Composers: Charles D. Coleman (1929-1991), Adolphus Hailstork (1941-), Florence Price (1887-1953), Robert Nathaniel Dett (1882-1943), Undine Smith Moore (1904-1989), Julia Perry (1924-1979), Betty Jackson King (1928-1994), Lena McLin (1928-), Dorothy Rudd Moore (1940-), Marques L. A. Garrett, B. E. Boykin, Chisolm Brown, Ken Burton (1970-), Nathan Carter, James Furman, José Maurício Nunes Garcia, Damien Geter (1980-), Chrstopher H. Harris, Robert A. Harris (1938-), David Hurd (1950-), Vicente Lusitano, Edward Margetson, Carlos Simon (1986-), Zanaida Stewart Robles (1979-), Trevor Weston, John W. Work III (1901-1967), Reginal Wright, Ulysses Kay (1917-1995), H. Leslie Adams (1932-), Samuel Coleridge-Taylor (1875-1912)
- Editor: Marques L. A. Garrett
- Instrumentation (this edition): SATB Choir, Organ (or Piano)
- Originally for: Organ, Piano, SATB Choir, Soprano, Orchestra, Alto, Organ (or Piano)
- Work Language: English
- ISBN:
- Size: 6.9 x 10.0 inches
Description
The Oxford Book of Choral Music by Black Composers is a landmark collection of non-idiomatic compositions from the sixteenth century to the present day, providing a comprehensive introduction to an area of choral music that has been historically under-represented. This unique anthology seeks both to improve representation in the historical canon and to showcase the music of some of the best names in choral music today.
- Hosanna to the Son of David, Adams
- Music of Life, Boykin
- O praise the Lord, Brown
- Burton, Burton
- Dona nobis pacem, Butler
- Psalm 131, Carter
- The 100th Psalm, Coleman
- By the lone seashore, Coleridge-Taylor
- The Lord is my strength, Coleridge-Taylor
- Son of Mary, Dett
- Four Little Foxes, Furman
- Ave maris stella, Garcia
- Alleluia, angelus Domini, Garcia
- My heart be brave, Garrett
- The Gift to Sing, Geter
- God be merciful, Hailstork
- Bring me all your dreams, Harris, C. H.
- April Rain Song, Harris, R. A.
- Oh, how can I keep from singing?, Harris, R. A.
- Ecce sacerdos magnus, Hurd
- As Joseph was a-walking, Kay
- How stands the glass around?, Kay
- Psalm 57, King
- Emendemus in melius, Lusitano
- A few more years shall roll, Margetson
- See what love, McLin
- in Celebration, Moore, D. R.
- I, too, Moore, U. S.
- Song of our Savior, Perry
- Resignation, Price
- Magnificat, Robles
- Sanctus, Simon
- Rivers of Living Water, Weston
- The sun himself shall fade, Work
- We are the music makers, Wright
Works:
- L. Adams: Hosanna to the Son of David
- Boykin: Music of Life
- Brown: O Praise the Lord
- Burton: A Prayer
- C.D. Coleman: The 100th Psalm
- Carter: Psalm 131
- Coleridge-Taylor: By the lone seashore
- Coleridge-Taylor: The Lord is my strength
- Dett: Son of Mary
- Furman: Four Little Foxes
- Garcia: Ave maris stella
- Garcia: Alleluia, angelus Domini
- Garrett: My heart be brave
- Geter: The Gift to Sing
- Hailstork: God be merciful
- Harris: Bring me all your dreams
- Harris: April Rain Song
- Harris: Oh, how can I keep from singing?
- Hurd: Ecce sacerdos magnus
- Kay: As Joseph was a-walking
- Kay: How stands the glass around?
- King: Psalm 57
- Lusitano: Emendemus in melius
- Margetson: A few more years shall roll
- D.R. Moore: In Celebration
- U.S. Moore: I, too
- McLin: See what love
- Perry: Song of our Saviour
- Price: Resignation
- Simon: Sanctus
- Robles: Magnificat
- Weston: Rivers of Living Water
- Work III: The sun himself shall fade
- Wright: We are the music makers
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.