Fauré: Barcarolles
In stock and typically ships within 1 business day.
- Composer: Gabriel Fauré (1845-1924)
- Editor: Roy Howat (1951-)
- Instrumentation: Piano
- ISMN:
- Size: 8.9 x 12.0 inches
- Pages: 122
- Urtext / Critical Edition
Description
The new Peters edition of Fauré's Barcarolles, like that of the Nocturnes, draws on a very wide range of sources including piano rolls played by him and printed copies bearing his corrections. Along with other rare sources, these offer some variant textures in the First Barcarolle and throw important light on tempo and rhythmic treatment in (particularly) the first two Barcarolles. The Fifth Barcarolle shows a vital manuscript variant and some variant rhythmic notation, both of which impinge strongly on the piece's tonal and rhythmic structure; in the Eighth Barcarolle a whole series of faulty or missing accidentals is corrected. A longstanding confusion of slurs and ties is resolved in the Tenth Barcarolle, along with a problem of continuity at one point. Some oft-debated textures in the Eleventh and Twelfth Barcarolles are clarified, along with the correction of an unusually large number of wrong notes in the Eleventh. The remaining pieces appear with many smaller but telling corrections, in all bringing a new clarity to this epoch-defining series of pieces spanning four decades.
Works:
- Barcarolle No. 1 in A Minor, Op. 26
- Barcarolle No. 2 in G Major, Op. 41
- Barcarolle No. 3 in G-flat, Op. 42
- Barcarolle No. 4 in A-flat, Op. 44
- Barcarolle No. 5 in F-sharp Minor, Op. 66
- Barcarolle No. 6 in E-flat Major, Op. 70
- Barcarolle No. 7 in D Minor, Op. 90
- Barcarolle No. 8 in D-flat Major, Op. 96
- Barcarolle No. 9 in A Minor, Op. 101
- Barcarolle No. 10 in A Minor, Op. 104, No. 2
- Barcarolle No. 11 in G Minor, Op. 105
- Barcarolle No. 12 in E-flat, Op. 106 bis
- Barcarolle No. 13 in C, Op. 116
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Fauré: Barcarolles
