Ash Wednesday to Easter for Choirs
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- Composers: Percy Whitlock (1903-1946), Tomás Luis de Victoria (1548-1611), Henry Loosemore, Cristobal Morales, Noel Rawsthorne, Felice Anerio (1560-1614), Bartholomäus Gesius, Arthur Hutchings, George Malcolm, Déodat de Séverac, Richard Shephard, Giovanni Croce, John Sanders, Orlande de Lassus (1530-1594), Orlando Gibbons (1583-1625), John Bull (1562-1638), Edward Elgar (1857-1934), Thomas Morley (1557-1602), Samuel Scheidt (1587-1654), Henry Walford Davies, Jacob (Handl) Gallus (1550-1591), Alan Bullard (1947-), Edward Bairstow (1874-1946), Bob Chilcott (1955-), Richard Farrant (1525-1580), Flor Peeters (1903-1986), John Stainer (1840-1901), William Byrd (1539-1623), Samuel Sebastian Wesley (1810-1876), John Rutter (1945-), William Henry Harris (1883-1973), Grayston Ives, William Walton (1902-1983), Charles Villiers Stanford (1852-1924), Anton Bruckner (1824-1896), John Scott
- Editors: Lionel Dakers, John Scott
- Instrumentation: Piano, SATB Choir
- Binding: Spiral Bound
- Work Languages: English, Latin
- ISBN:
- Size: 7.3 x 9.8 inches
- Pages: 240
Description
The editors have selected a richly varied collection of sacred pieces for this period of the Church's year, always bearing in mind practical considerations and liturgical needs. Pieces are presented in order according to the Church's calendar, moving from Ash Wednesday and Lent, through Passiontide and Palm Sunday, to Maundy Thursday, Good Friday, Easter Eve, and Easter itself. The best of the standard repertoire is included alongside fine, less familiar, works. Ranging widely from the sixteenth century to the present day, this is a complete and practical collection for church choirs of all sizes and levels of ability.
- Lent Prose
- Byrd: Civitas sancti tui (Bow thine ear, O Lord)
- Farrant/Hilton: Lord, for thy tender mercy's sake
- Loosemore: The Litany (BCP)
- Marshall: The Litany
- Morales: Peccantem me quotidie
- Morley: Agnus Dei
- Rawsthorne: Like as the hart
- Walton: Drop, drop, slow tears
- Wesley: Wash me throughly
- Anerio: Christus factus est
- Bairstow: The Lamentation
- Bairstow/Gibbons: Jesu, grant me this I pray
- Chilcott: God so loved the world
- Hand: Ecce quomodo moritur justus
- Lassus: Adoramus te, Christe
- Stainer: God so loved the world
- Bullard: The Feast of Palms
- Gesius: Hosianna dem Sohne Davids
- Hutchings: Hosanna to the Son of David
- IVes: Ride on
- Malcolm: Ingrediente Domino
- Victoria: Pueri Hebraeorum
- arr. Barnard: In the heart where love is abiding
- Bruckner: (a) Pange lingua (b) of the glorious Body telling
- de Severac: Tantum ergo
- Peeters: Ave verum corpus
- Shephard: A new commandment
- Shephard: Sing, my tongue
- Bull: In the departure of the Lord
- a rr. Chilcott: Were you there?
- Croce: O vos omnes
- arr. Scott: O mortal man
- John IV of Portugal: Crux Fidelis
- Morley: Eheu, sustulerunt
- Sanders: The Reproaches
- Victoria: Popule meus
- Anerio: Alleluia. Christus surrexit
- Bairstow: Psalm 114
- arr. Carter: Joy is come!
- Elgar: Light of the World
- Harris: Most glorious Lord of life
- arr. Ledger: This joyful Eastertide
- arr. Lindley: Now the green blade riseth
- Rutter: Christ the Lord is risen again!
- Scheidt: Surrexit Christus hodie
- Scott: Easter Anthems
- arr. Scott: I saw water (Vidi aquam)
- Shephard: The Easter Song of Praise
- Stanford: Ye choirs of new Jerusalem
- Walford Davies, ed. Dakers: O sons and daughters
- Whitlock: He is risen
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
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