English Church Music - Volume 2: Canticles and Responses
Expected to ship in 1-2 weeks.
- Composers: George Dyson (1883-1964), Herbert Howells (1892-1983), Ralph Vaughan Williams (1872-1958), Edmund Hooper, Thomas Tomkins (1572-1656), William Byrd (1539-1623), Henry Purcell (1659-1695), Charles Villiers Stanford (1852-1924), William Walton (1902-1983), Hugh Blair, Richard Ayleward, Thomas Attwood Walmisely (1814-1856), Michael Tippett (1905-1998), Orlando Gibbons (1583-1625)
- Instrumentation: Organ, SATB Choir
- Work Language: English
- ISBN:
- Size: 7.5 x 10.6 inches
- Pages: 336
Description
English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable for use throughout the year. The evening canticles are given due space, with seventeen settings, including those by Byrd, Gibbons, Purcell, Walmisley, Stanford, Noble, Howells, Walton, and Tippett. Also included are settings of the Te Deum and Jubilate Deo, alongside seven settings of the Preces and Responses and two additional early Lord's Prayers. The selection is completed with three supplementary items: a set of previously unpublished Psalm chants by Howells, John Sanders's Good Friday Reproaches, and a written-out Order for Compline.
Robert King has prepared completely new editions of all the pre-twentieth-century works, going back to the earliest and most reliable manuscripts or printed sources. Playable keyboard reductions have been added for thin E Majority of unaccompanied items.
- Ayleward: Preces & Responses
- Blair: Magnificat & Nunc Dimittis in B Minor (original setting)
- Byrd: Preces & Responses
- Byrd: Second Service (Magnificat & Nunc Dimittis)
- Dyson: Magnificat & Nunc Dimittis in C Minor (unison voices) (transposed to D Minor)
- Ebdon: Preces & Responses
- Farmer: Lord's Prayer
- Gibbons: Short Service (Magnificat & Nunc Dimittis)
- Gibbons: Second Service (Magnificat & Nunc Dimittis)
- Hooper: Short Service (Magnificat & Nunc Dimittis)
- Howells: Magnificat & Nunc Dimittis in B Minor
- Howells: Psalm Chants
- Jackson: Preces & Responses
- Noble: Magnificat & Nunc Dimittis in B Minor
- Purcell: Magnificat & Nunc Dimittis in G Minor
- Radcliffe: Preces & Responses
- Sanders: Good Friday Reproaches
- Smith: Preces & Responses
- Stanford: Magnificat & Nunc Dimittis in G
- Stanford: Magnificat & Nunc Dimittis in C
- Stanford: Te Deum and Jubilate in C
- Stanford: Magnificat & Nunc Dimittis in A
- Stanford: Magnificat & Nunc Dimittis in B-flat
- Stone: Lord 's Prayer
- Tippett: Magnificat & Nunc Dimittis (St John's service)
- Tomkins: Preces & Responses
- Vaughan Williams: Te Deum in G
- Walmisley: Magnificat & Nunc Dimittis in D Minor
- Walton: Magnificat & Nunc Dimmitis (Chichester Service)
- Walton: Jubilate Deo
- Wood: Magnificat & Nunc Dimittis No. 2 in E-flat
- An Order for Compline
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.