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James MacMillan

MacMillan: Stabat Mater

$48.00
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Boosey & Hawkes  |  SKU: M060135088  |  Barcode: 9790060135088
  • Composer: James MacMillan (1959-)
  • Format: Vocal Score
  • Instrumentation (this edition): Piano Reduction, SATB Choir
  • Originally for: SATB Choir, String Orchestra
  • Work: Stabat Mater
  • ISMN: 9790060135088
  • Size: 9 x 12.0 inches
  • Pages: 112

Description

Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra it is a long-awaited sequel to the early masterpiece Seven Last Words from the Cross (1993), for the same forces; indeed, the later work begins with the pianissimo 'dying breaths' with which the earlier score so unforgettably closes. Cast in four movements Stabat Mater has a duration of 53 minutes. Following the première London's Financial Times commented that the composer "speaks of a 'painful world of loss, violence, and spiritual desolation' [...]. Both sides of MacMillan are to be found here,the devotional and the painter of bold, dramatic canvases - the former in the ethereal writing for solo and ensemble voices, the latter in the lacerating blows and feverish anxieties depicted in the string ensemble."

Boosey & Hawkes

MacMillan: Stabat Mater

$48.00

Description

Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra it is a long-awaited sequel to the early masterpiece Seven Last Words from the Cross (1993), for the same forces; indeed, the later work begins with the pianissimo 'dying breaths' with which the earlier score so unforgettably closes. Cast in four movements Stabat Mater has a duration of 53 minutes. Following the première London's Financial Times commented that the composer "speaks of a 'painful world of loss, violence, and spiritual desolation' [...]. Both sides of MacMillan are to be found here,the devotional and the painter of bold, dramatic canvases - the former in the ethereal writing for solo and ensemble voices, the latter in the lacerating blows and feverish anxieties depicted in the string ensemble."

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