Monteverdi: Complete Madrigals - Volume 3
Expected to ship in about a week.
- Composer: Claudio Monteverdi (1567-1643)
- Editor: Andrea Bornstein
- Instrumentation: SATB Choir
- Work: Madrigals Book 3 (1592)
- Work Language: Italian
- ISMN:
- Size: 9.3 x 12.4 inches
- Pages: 128
- Urtext / Critical Edition
Description
The body of Claudio Monteverdi's madrigals is contained in nine books and, for the most part, can be divided into three parts that correspond to the three periods of the life of the Cremonese composer. The first two books date back to the early years of his apprenticeship in Cremona (until 1590), under the strong influence of his teacher, Marcantonio Ingegneri.
During his time in Mantua (1591-1612), Monteverdi conceived three more books of madrigals (nn. 3-5) that mark a turning point in the musician's output. The stylistic innovations of the Fifth Book also feature the introduction of continuo, provided ad libitum for the Majority of the pieces of this collection and which is an integral part of the instrumentation for the others.
In 1613, Monteverdi moved to Venice as a result of his appointment as maestro di cappella at S. Marco. The Sixth, the Seventh and the Eighth books, to which would be added posthumously the Ninth book, all contain pieces in concertato style and therefore include continuo and, in some cases, an instrumental body.
This is the first complete Urtext publication including the entire corpus of madrigals composed by the great Cremonese master. An edition which was impatiently expected by musicologists and musicians who have until now had to use the admirable, albeit timeworn Malipiero edition.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Monteverdi: Complete Madrigals - Volume 3
