Arp Schnitger's Heirs
North German Organ Music - Volume 1
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- Composers: Caspar Daniel Krohn, Carl Michael Meineke, Johann Friedrich Schwencke, Wilhelm Grundmann (1795-1860), Carl Sauerbrey, Georg Armbrust
- ISMN:
- Size: 11.7 x 8.3 inches
- Pages: 72
Description
For the first time a completely self-contained organ repertoire is presented which originated in the churches of northern Germany after 1780, and yet keeping up the musical traditions of the 17th century. Thus, a many-facetted, "more recent" organ music from northwestern middle Europe is now accessible. Focal points of the music clearly are church songs and counterpoint; a fascinating element is the rich chromaticism. The pieces are of medium difficulty, practical for liturgical or concert use.
Contents:
- Caspar Daniel Krohn: Erbarm dich mein, o Herre Gott
- Caspar Daniel Krohn: Wo soll ich fliehen hin
- Caspar Daniel Krohn: Herr Jesu Christ, du höchstes Gut
- Carl Michael Meineke: Auf, auf mein Geist, mit Lobgesang
- Carl Michael Meineke: Gott des Himmels and der Erden
- Carl Michael Meineke: Jesus, meine Zuversicht
- Carl Michael Meineke: Lieber Tag, seh ich dich wieder
- Carl Michael Meineke: Wer nur den lieben Gott lässt walten
- Johann Friedrich Schwencke: Herr Jesu Christ, dich zu uns wend
- Johann Friedrich Schwencke: Postludium quasi Toccata in C Major
- Johann Friedrich Schwencke: Fantasia f Minor
- Johann Friedrich Schwencke: Nachspiel b Minor
- Wilhelm Grundmann: Jesu, der du meine Seele
- Wilhelm Grundmann: Lobt Gott ihr Christen allzugleich
- Wilhelm Grundmann: Schmücke dich, o liebe Seele
- Carl Sauerbrey: Andante B-flat Major
- Carl Sauerbrey: Nachspiel C Major
- Carl Sauerbrey: Vorspiel zum Choral "Allein Gott in der Höh"
- Carl Leschen: Wie schön leuchtet der Morgenstern
- Carl Leschen: Jesu, meine Freude
- Georg Armbrust: Moderato C Major
- Georg Armbrust: Fantasia c Minor
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.