Brahms: Violin Sonatas
In stock and typically ships within 1 business day.
- Composer: Johannes Brahms (1833-1897)
- Editor: Michael Struck
- Fingering: Martin Helmchen
- Instrumentation: Piano, Violin
- Binding: Hardcover
- ISMN:
- Size: 9.3 x 12.2 inches
- Pages: 202
- Urtext / Critical Edition
Description
Brahms early on engaged with the violin sonata genre. As early as 1853 he wrote a sonata in a Minor, which - like so many other youthful works of this self-critical composer - no longer survives. Thus the G-Major sonata, Op. 78, written in 1878/79, is now counted as his first contribution to the genre; it has the nickname "Regenlied Sonata" (literally "rain-song sonata") because of the quotation from a song that appears in the finale. in summer 1886 Brahms composed, almost simultaneously, the two sonatas, Op. 100 and 108. All three works now have a firm place in the violinistic canon.
We round off our volume with the Scherzo in C Minor that Brahms contributed to the so-called "F.A.E Sonata", which he composed together with Robert Schumann and Albert Dietrich as a gift for violinist Joseph Joachim in 1853. with its stark contrast between the turbulent allegro and the emotional più moderato part, his scherzo has become a popular bravura and encore piece.
The present edition is based on the Brahms Complete Edition, and offers a musical text and commentary that have been revised according to the latest research. The fingering is by respective masters of their instruments Frank Peter Zimmermann and Martin Helmchen.
Works:
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.