Standard Vocal Literature – Mezzo-Soprano
Expected to ship in 1-2 weeks.
- Composers: Stefano Donaudy (1879-1925), Wolfgang Amadeus Mozart (1756-1791), Georges Bizet (1838-1875), Enrique Granados (1867-1916), Roger Quilter (1877-1953), John Dowland (1563-1626), Vincenzo Bellini (1801-1835), Robert Schumann (1810-1856), Franz Schubert (1797-1828), Alessandro Stradella (1645-1682), Christoph Willibald Gluck (1714-1787), Alessandro Scarlatti (1660-1725), Richard Strauss (1864-1949), Thomas Arne (1710-1778), Manuel de Falla (1876-1946), Jean-Paul-Égide Martini (1741-1816), Johannes Brahms (1833-1897), Arthur Sullivan (1842-1900), Henry Purcell (1659-1695), Antonio Vivaldi (1678-1741), Gabriel Fauré (1845-1924)
- Editor: Richard Walters
- Instrumentation (this edition): Piano, Mezzo Soprano
- Originally for: Piano, Voice, Basso continuo, High Voice, SATB Choir, Guitar, Baroque Lute, Chamber Ensemble, Male Voice, Medium-High Voice, Musical, Opera
- Work Language: Various
- ISBN:
- Size: 9.0 x 12.0 inches
- Pages: 144
Listen
Description
This series of five book/online audio access packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert & Sullivan. Each book includes a unique code for access to professionally-recorded pronunciation lessons and piano accompaniments.
Contents:
- ARNE: When daisies pied
- DOWLAND: Come again, sweet love • Flow my tears • Weep you no more, sad fountains
- PURCELL: If music be the food of love • Nymphs and Shepherds
- QUILTER: Fair House of Joy • It was a lover and his lass • Love's Philosophy
- VAUGHAN WILLIAMS: Silent Noon
- BIZET: Ouvre ton coeur
- FAURE: Clair de lune • Mandoline
- MARTINI: Plaisir d'amour
- BRAHMS: Immer leiser wird mein Schlummer
- MOZART: Als Luise die Briefe ihres • Ungetreuen Liebhabers verbrannte
- SCHUBERT: An die Nachtigall
- SCHUMANN: Du Ring an meinem Finger
- RICHARD STRAUSS: Zueignung
- BELLINI: Dolente immagine di Fille mia
- DONAUDY: O del mio amato ben
- SCARLATTI: Cara e dolce
- STRADELLA: Se nel ben sempre incostante
- DE FALLA: El pano moruno
- GRANADOS: La maja dolorosa (2)
- MOZART: Voi che sapete
- GLUCK: Che faro senza Euridice
- SULLIVAN: When Frederic Was a Little Lad
- VIVALDI: Qui sedes ad dextram Patris
Works:
- Arne: When Daisies Pied
- Bellini: Dolente imagine di Fille mia
- Bizet: Ouvre ton cœur (1860)
- Immer leiser wird mein Schlummer, No. 2 from Brahms: Fünf Lieder (5 Songs), Op. 105
- Donaudy: O del mio amato ben
- Dowland: Come again
- Dowland: Flow My Tears
- Dowland: Weep You No More, Sad Fountains
- Falla: El Paño Moruno
- Clair de lune from Fauré: 2 Songs (Les présents & Clair de lune), Op. 46
- Mandoline from Fauré: Cinq mélodies "de Venise", Op. 58
- Che farò senza Euridice from Gluck: Orfeo ed Euridice (Italian Version), Wq. 30
- La maja dolorosa (No. 2) from Granados: 12 Tonadillas en estilo antiguo (1914)
- J. Martini: Plaisir d'amour (1784)
- Mozart: Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 520
- Voi che sapete from Mozart: Le nozze di Figaro (The Marriage of Figaro), K. 492
- Purcell: If music be the food of love, Z. 379
- Purcell: Nymphs and Shepherds, Z. 600
- Quilter: Fair House of Joy from 7 Elizabethan Lyrics, Op. 12
- It was a lover and his lass from Quilter: Five Shakespeare Songs, Op. 23
- Quilter: Love's Philosophy from 3 Songs, Op. 3
- A. Scarlatti: Cara e dolce
- Schubert: An die Nachtigall, D 196, Op. posth. 172, 3
- Schubert: Der Tod und das Mädchen, D 531, Op. 7, No. 3
- Du Ring an meinem Finger from R. Schumann: Frauenliebe and Leben, Op. 42
- Stradella: Se nel ben sempre incostante
- Zueignung from Strauss: 8 Gedichte aus "Letzte Blätter", TrV 141, Op. 10
- When Frederic Was a Little Lad from Sullivan: The Pirates of Penzance (1879)
- Qui sedes ad dextram Patris from Vivaldi: Gloria, RV 588
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.