Prokofiev: Suite from ‘Semyon Kotko', Op. 81bis
Expected to ship in about a month.
- Composer: Sergei Prokofiev (1891-1953)
- Format: Full Score
- Instrumentation: Orchestra
- Work: Suite from "Semyon Kotko", Op. 81bis
- Size: 8.3 x 11.6 inches
- Pages: 170
Description
Although Prokofiev is probably best known for his orchestral music, but he constantly tried to establish himself as an opera composer, with mixed success. Semyon Kotko was written during a period when he was out of favour with the Soviet authorities. The opera was his attempt to write, as said, ‘a Soviet opera, heroic and constructive.' It is derived from the 1937 novel I, Son of the Working People by Valentin Katayev, which is partly autobiographical; Katayev had served in the Red Army immediately after the Revolution. Katayev and Prokofiev worked together on the libretto for the opera, and the music was composed during 1938 and 1939. Semyon Kotko was given its first performance on 23 June 1940 under Mikhail Zhukov in Moscow and was briefly popular. It fell out of the repertory for political reasons and took a long time to be revived. However, it is now a repertoire work at the Mariinsky Theatre (formerly the Kirov) in St. Petersburg.
The story is set in 1918 in Ukraine. Lenin's Bolshevik government has made a peace treaty with Germany, but Ukraine is still occupied by Germans, who are allied to counter-revolutionary Ukrainian nationalists. Semyon Kotko is a demobbed soldier. He wishes to marry Sofia, whose father's life he saved in the war. However, her father, Tkachenko, wants Sofia to marry the local landowner, Klebovsky. The young couple gets engaged but their party is interrupted by the arrival of the German army, burning burn the village. Tkachenko sides with the invaders and betrays Kotko and his friends to them. Two of Kotko's friends are hanged but he escapes and starts training a group of Bolshevik partisans. They attempt to stop Sofia's forced wedding to Klebovsky, but are captured. However, the red Army arrives in time to rescue them. Klebovsky is taken off for execution. Kotko and Sofia are united.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.