Aria Album for Soprano
Expected to ship in about a week.
- Composers: George Frideric Handel (1685-1759), Otto Nicolai (1810-1849), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Friedrich von Flotow (1812-1883), Louis-Aimé Maillart, Albert Lortzing (1801-1851), Ludwig van Beethoven (1770-1827), Richard Wagner (1813-1883), Vincenzo Bellini (1801-1835), Gioachino Rossini (1792-1862), Georges Bizet (1838-1875), Gaetano Donizetti (1797-1848), Joseph Haydn (1732-1809), Alessandro Stradella (1645-1682), Christoph Willibald Gluck (1714-1787), Carl Maria von Weber (1786-1826), Daniel Auber (1782-1871)
- Instrumentation: Piano Reduction, Soprano
- ISMN:
Description
- A. Stradella: Church Aria "Se I miei sospiri" * J.S. Bach: Matthäuspassion "Aus Liebe will mein Heiland sterben", Weihnachtsoratorium "Flößt mein Heiland", Kantate 22 ("Ich hatte viel Bekümmernis") "Seufzer, Tränen, Kummer, Not" * Kantate 68 "Mein gläubiges Herze" * G.F. Handel: Messias "Er weidet seine Herde", "Wie lieblich ist der Boten Schritt", "Ich weiß, daß meinErlöser leb't", Josua "O, hätt ich JubalsLeier" (Achsah), Rinaldo "Lascia ch'io pianga" * C.W. Gluck: Alceste "Divinités du Styx" (Alceste), Iphigenie "O toi, qui prolongeas" (Iphigenie), "O malheureuse Iphigenie" (Iphigenie) * F. Haydn: Die Schöpfung "Nun beut' die Flur" (Gabriel), "Auf starkem Fittige" (Gabriel), Die Jahreszeiten "Welche Labung for die Sinne" * W.A. Mozart: Entführung "Welche Wonne, welche Lust" (Blonde), "Ach, ich liebte" (Constanze), Le Nozze di Figaro "Porgi amor" (Countess), "Dove sono i bei momenti" (Countess, "Giunse alfin il momento" (Susanna), "Non so p iù cosa son" (Cherubino), "Voi, che sapete" (Cherubino), Don Giovanni "Crudele? Ah no, mio bene" (Donna Anna), "Batti, batti, O bel Masetto" (Zerlina), "Vedrai, carino" (Zerliona), Cosi fan tutte "Una donna a quindici anni" (Zerlina), "E amore un ladroncello" (Dorabella), Zauberflöte "Ach, ich fühl's, es ist verschwunden" (Pamina) * L. van Beethoven: Fidelio "O, wär ich schon mit dir vereint" (Marzelline), "Abscheulicher, wo eilst du hin?" (Leonore), "Ah, Perfido!" (concert aria) * Auber, D.F.: Fra Diavolo "Voyez sur cette roche" (Zerline) * Weber, C.M.: Der Freischütz: "Wie nahte mir der Schlummer: (Agathe), "Und ob die Wolke sie verhülle" (Agathe), "Kommt ein schlanker Bursch gegangen" (Ännchen), "Einst träumte meiner selgen Base" (Ännchen), Oberon "Ozean, du Ungeheuer" (Rezia), Arabien "Mein Heimatland" (Fatime) * Rossini, G.: Barbiere di Siviglia "Una voce poco fa" (Rosina) * Donizetti, G.: Fille du Regiment "Salut à la France" (Marie) * Bellini, V.: Norma "Casta Diva" (Norma) * Lorttzing, A.: Zar and Zimmermann "Die Eifersucht ist eine Plage" (Marie), "Lieblich röten sich die Wangen" (Marie), Waffenschmied "Er ist so gut, so brav and bieder" (Marie), "Wir armen Mädchen" (Marie), Undine "So wisse, daß in allen Elementen" (Undine) * Nicolai, O.: "Nun eilt herbei" (Fluth), "Wohl denn! Gefaßt ist der Entschluß" (Anna) * Flotow, F.: Martha "Letzte Rose, wie magst du" (Lady) * Maillart, L.A.: Les Dragons de Villars "Il m'aime" (Rose) * Wagner, R.: Der fliegende Holländer "Traft ihr das Schiff(Senta), Tannhäuser "Dich, teure Halle, grüß ich wieder Elisabeth), "Allmächt'ge Jungfrau, hör mein Flehen" (Elisabeth), Lohengrin "Einsam in trüben Tagen" (Elsa), "Euch Lüften, die mein Klagen" (Elsa) * Bizet, G.: Carmen "Ja, die Liebe hat
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Aria Album for Soprano
