Sibelius: 6 Songs
Based on the Complete Edition
In stock and typically ships within 1 business day.
Minimum Order Qty: 4
- Composer: Jean Sibelius (1865-1957)
- Editor: Sakari Ylivuori
- Instrumentation (this edition): Female Choir
- Originally for: Male Choir
- Work: 6 Songs
- Work Languages: English, Finnish, German, Swedish
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 12
- Urtext / Critical Edition
Listen on Soundcloud
Description
This collection of Six Part-Songs for Female Voices contains six relatively different pieces that vary both in the language of their texts (Finnish and Swedish) and in length and number of voices. Nevertheless, they form a coherent and interesting set of moderate difficulty throughout, making Sibelius as a composer accessible to smaller female choirs and ensembles.
The pieces were written at different times and for different occasions. Kotikaipaus , for example, was written in the summer of 1902 as a thank-you gift for a serenade; Kansakoululaisten marssi was commissioned in 1910 for the 100th birthday of Uno Cygnaeus, the founding father of the Finnish educational system. Kantat was composed for a similar anniversary. The three pieces Soi kiitokseksi Luojan , Nejden andas and Terve, Ruhtinatar , on the other hand, are excerpts and arrangements of existing works for choir and orchestra. The latter two appear in print for the first time outside the complete edition as part of this collection.
The edition includes translations of the song texts in German and English as well as an informative preface by the editor, which, like the sheet music, is based on volume VII/1 of the complete edition Jean Sibelius Works.
Includes:
- Kotikaipaus, JS 111 | (Walter von Konow | 2')
- Kansakoululaisten marssi, JS 103 | (Onnen Pekka | 2')
- Kantat, JS 107 | (Walter von Konow | 3')
- Soi kiitokseksi Luojan, Op. 23, No. 6 | (August Valdemar Forsman | 2')
- Nejden andas from, Op. 30 | (Zacharias Topelius | 1')
- Terve, Ruhtinatar from, JS 104 | (Zacharias Topelius | 1')
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.