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George Frideric Handel

Handel: Coronation Anthems I-IV, H 258-261

$156.00
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Carus  |  SKU: CV55.258/50  |  Barcode: 9790007311735
  • Composer: George Frideric Handel (1685-1759)
  • Editor: Alon Schab
  • Format: Set of Full Scores
  • Instrumentation: SATB Choir, Orchestra
  • Work Language: English
  • ISMN: 9790007311735
  • Size: 9.9 x 12.9 inches
  • Urtext / Critical Edition

Description

The coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. for this new Carus edition, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems.

Handel's autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.

This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel's familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Works:

Carus

Handel: Coronation Anthems I-IV, H 258-261

$156.00

Description

The coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. for this new Carus edition, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems.

Handel's autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.

This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel's familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Works:

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