Satie: Complete Works for Piano – Volume 2
Expected to ship in 1-2 weeks.
- Composer: Erik Satie (1866-1925)
- Editor: Robert Orledge
- Instrumentation: Piano
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 214
Description
This new, completely revised and reset centenary edition of Satie s complete piano music in three volumes has returned to Satie's manuscripts and first editions to give pianists completely accurate and reliable texts to play from. As well as presenting every piece for piano solo or piano reduction that Satie published, this edition also includes some previously unknown pieces, like the Petite Sonata that he wrote for Vincent d Indy at the Schola Cantorum, as well as some interesting first versions of well-known pieces, like San Bernardo, a trial version of Españaña (1913) and the markedly different first version of Les Pantins dansent (1914). in addition, there are examples of the different types of exercises that Satie completed at the Schola between 1905 and 1912, some extra trial Enfantines, and some earlier drafts of his famous Sports et divertissements. To help pianists, suggested metronome marks have been added throughout, and there are also some performance suggestions for the Rose+Croix pieces of the 1890s, which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible, without detracting from Satie's concerns about the extériorisation of his musical thought in print.
Works:
- Fugue-Valse (1906)
- Passacaille (1906)
- Prélude en tapisserie (1906)
- Nouvelles "Pièces froides" (1907)
- Désespoir agréable (1908)
- Petite sonate (1909)
- Deux Choses (Effronterie, Poésie) (1909)
- Autre "Chose"
- Profondeur (1909)
- Songe-creux (1909)
- Le Prisonnier maussade (1909)
- Le Grand Singe (1909)
- 2 Préludes pour un chien (1912)
- Préludes flasques (pour un chien)
- Deux autres "Préludes flasques"
- Véritables Préludes flasques (pour un chien) (1912)
- Arrière - Propos
- Sept Toutes Petites Danses pour le "Piège de Méduse" (1913)
- Descriptions automatiques (1913)
- Croquis et agaceries d'un gros bonhomme en bois (1913)
- San Bernardo (1913)
- Embryons desséchés (1913)
- Chapitres tournés en tous sens (1913)
- Vieux sequins et vieilles cuirasses (1913)
- L'enfance de Ko-Quo (from Enfantines) (1913)
- Trois Nouvelles Enfantines (1913)
- Les Pantins dansent (for piano) (1913)
- Sports et divertissements
- Heures séculaires et instantanées (1914)
- Les trois valses distinguées du précieux dégoûté (1914)
- Cinq grimaces pour Le songe d'une nuit d'été
- Avant-dernières pensées (1915)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.