Solos for Clarinet
Expected to ship in 1-2 weeks.
- Composers: François-Joseph Gossec (1734-1829), Wolfgang Amadeus Mozart (1756-1791), George Frideric Handel (1685-1759), Johann Sebastian Bach (1685-1750), Benjamin Godard (1849-1895), Ludwig van Beethoven (1770-1827), Frédéric Chopin (1810-1849), Erik Satie (1866-1925), Georges Bizet (1838-1875), Joseph Haydn (1732-1809), Robert Schumann (1810-1856), Luigi Bassi (1833-1871), Arcangelo Corelli (1653-1713), Richard Wagner (1813-1883), Charles Gounod (1818-1893), Franz Schubert (1797-1828), Carl Maria von Weber (1786-1826), Benedetto Marcello (1686-1739), Johannès Donjon (1839-1912), Ferdinand David (1810-1873), Gustave Langenus (1883-1957), Michael Bergson, André Caplet (1878-1925), Georges Guilhaud, Ralph Hermann, Gene Morra, Hugh Stuart, Carl Bohm (1844-1920), Elie Siegmeister (1909-1991), Gabriel Fauré (1845-1924)
- Editor: Denise Schmidt
- Instrumentation: Clarinet
- ISBN:
- Size: 9.1 x 11.9 inches
Description
Clarinet performer and professor Denise Schmidt has compiled a comprehensive collection of solos for Clarinet players with a fine mix of transcriptions of familiar classics and solos written for clarinet. The All-Time Favorite folio has pieces from all periods of music with music by Bach, Beethoven, Bizet, Corelli, Fauré, Gounod, Handel, Satie and many others. Also included are such clarinet classics as Introduction, Theme and Variations by David and Sonatina by Von Weber. Many of the works are on state and festival lists covering performance levels from Grade 2 through 5.
Contents:
Bach. J.S.:
Arioso
(Largo from Concerto for Harpsichord and Orchestra, BWV 1056)
Siciliano
from Sonata No. 2 in E-flat Major, BWV 1031
Bassi
Nocturne
Beethoven
Serenade
, Op. 41
Bergson
Scene and Air
from Luisa di Montfort, Op. 82
Bizet
Entr'acte
from Carmen
Bohm
Calm as the Night
Caplet
Reverie
Chopin
Etude, Op. 10, No. 3
Corelli
Gigue
David
Introduction, Theme and Variations
DonJon
Invocation
Faur é
Berceuse, Op. 16
Sicilienne
from Pelléas et Mélisande
Godard
Allegretto, Op. 116, No. 1
Gossec
Tambourin
Gounod
Meditation
Guilhand
Concertino
Handel
Giga
from Sonata in F Major
Bourree
Haydn
Serenade
Andante Cantabile from String Quartet No. 8, Hob. III: No. 17
Hermann
Clarinet on the Town
Langenus
Lullaby
Mount Vernon Menuet
Marcello
Sonata in F Major
Morra
Nocturnal Serenade
Mozart
Theme and Variations
Fourth movement from Quintet for Clarinet and Strings, K. 581
Wagner
Song to the Evening Star
Schumann, R.
Romance, Op. 94
Träumerei
from scenes from Childhood, Op. 15, No. 7
Satie
Gymnopedie No. 2
from Trois Gymnopédies
Schubert
Musical Moment
from 6 Moments Musicaux, Op. 94, No. 3
Seigmeister
Prelude
Stuart
Concertino
Weber
Sonatina
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.