European Sacred Music
Expected to ship in 2-3 weeks.
- Composers: Giovanni Pierluigi da Palestrina (1525-1594), Mikhail Glinka (1804-1857), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Josquin des Prez (1450-1521), Tomás Luis de Victoria (1548-1611), Carlo Gesualdo (1566-1613), Edvard Grieg (1843-1907), Felice Anerio (1560-1614), Francisco Guerrero (1528-1599), Francis Poulenc (1899-1963), Orlande de Lassus (1530-1594), Giovanni Gabrieli (1554-1612), Claudio Monteverdi (1567-1643), Giuseppe Verdi (1813-1901), Jan Pieterszoon Sweelinck (1562-1621), Hans Leo Hassler (1564-1612), Antonio Lotti (1667-1740), Igor Stravinsky (1882-1971), Franz Schubert (1797-1828), Sergei Rachmaninoff (1873-1943), Jacob (Handl) Gallus (1550-1591), César Franck (1822-1890), Josef Rheinberger (1839-1901), Gregorio Allegri (1582-1652), Johannes Brahms (1833-1897), Pablo Casals (1876-1973), Gioachino Rossini (1792-1862), Dom (John) João IV (1604-1656), Lodovico Grossi da Viadana (1560-1627), Heinrich Schütz (1585-1672), Felix Mendelssohn (1809-1847), Anton Arensky (1861-1906), Anton Bruckner (1824-1896), Gabriel Fauré (1845-1924), Max Reger (1873-1916), Dieterich Buxtehude (1637-1707)
- Editor: John Rutter (1945-)
- Format: Vocal Score
- Instrumentation (this edition): Piano, SATB Choir
- Originally for: Cello, Organ, Piano, Basso continuo, SATB Choir, Orchestra, Double Choir (SATB + SATB), Harp, SSATB Choir, Tenor, Chamber Orchestra, Female Choir, Organ (or Piano), SSAATTBB Choir, SSATTB Choir, Strings, Chamber Ensemble
- Work Languages: English, French, German, Latin, Russian
- ISBN:
- Size: 7.7 x 10.8 inches
- Pages: 384
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Description
European Sacred Music is a collection of over 50 of the finest examples of sacred choral music from continental Europe, ranging from the sixteenth to twentieth centuries. John Rutter has prepared completely new editions of all the pre-twentieth-century items, going back to the earliest and most reliable manuscript or printed sources. New English singing translations are provided for most pieces, and playable keyboard reductions.
- Allegri: Miserere
- Anerio (F.): Christus factus est
- Arensky: The Lord's Prayer
- Bach: O Jesu Christ, meins Lebens Licht, BWV 118
- Brahms: Ach, arme Welt, Op. 110, No. 2
- Brahms: Geistliches Lied, Op. 30
- Brahms: Warum ist das Licht, Op. 74, No. 1
- Bruckner: Ave Maria
- Bruckner: Christus factus est
- Bruckner: Locus iste
- Bruckner: Os justi
- Buxtehude: Magnificat
- Casals: O vos omnes
- Faur'e: Cantique de Jean Racine
- Franck: Panis angelicus
- Gabrieli (G): Jubilate Deo a 8
- Gesualdo: O vos omnes
- Glinka: The Cherubic Hymn
- Grieg: Ave maris stella
- Guerrero: Ave Virgo sanctissima
- Handl (Gallus): Pater noster
- Hassler: Dixit Maria
- John IV of Portugal: Crux fidelis
- Josquin Desprez: Ave Maria
- Lassus: Adoramus te, Christe
- Lassus: Ave verum Corpus
- Lassus: Timor et tremor
- Lotti: Crucifixus a 8
- Mendelssohn: Verleih uns Frieden
- Mendelssohn: Psalm 43 (Richte mich, Gott)
- Monteverdi: Beatus vir
- Monteverdi: Cantate Domino
- Monteverdi: Christe, adoramus te
- Moza rt: Ave verum Corpus
- Palestrina: Exsultate Deo
- Palestrina: Sicut cervus
- Palestrina: Tu es Petrus and Quodcumque ligaveris
- Poulenc: Salve Regina
- Rachmaninoff: Ave Maria
- Rheinberger: Abendlied, Op. 69, No. 3
- Reger: Unser lieben Frauen Traum
- Rossini: O salutaris Hostia
- Schubert: Psalm 23
- Sch"utz: Psalm 100
- Sch"utz: Selig sind die Toten
- Stravinsky: Ave Maria
- Sweelinck: Laudate Dominum
- Tchaikovsky: Hymn to the Virgin
- Verdi: Ave Maria
- Viadana: Exsultate justi
- Victoria: Ave Maria a 4
- Victoria: Jesu, dulcis memoria
- Victoria: O quam gloriosum
- Victoria: O vos omnes
Works:
- Allegri: Miserere
- Anerio: Christus factus est
- Arensky: Our Father, No. 3 from Sacred Choruses from the Liturgy of St. John Chrysostom, Op. 40
- Bach: O Jesu Christ, meins Lebens Licht (Funeral Cantata), BWV 118
- Warum ist das Licht gegeben dem Mühseligen?, No. 1 from Brahms: 2 Motets, Op. 74
- Ach, arme Welt, du trügst mich, No. 2 from Brahms: 3 Motets, Op. 110
- Brahms: Geistliches Lied ("Spiritual Song"), Op. 30
- Bruckner: Ave Maria, WAB 6
- Bruckner: Christus factus est, WAB 11
- Bruckner: Os justi meditabitur, WAB 30
- Buxtehude: Magnificat anima mea Domine, BuxWV Anh. 1
- Casals: O vos omnes (1932)
- Fauré: Cantique de Jean Racine, Op. 11, N 42a
- Franck: Panis angelicus, CFF 209, FWV 61b
- Gabrieli: Jubilate Deo, omnis terra (Motet for 11 Voices) (1597)
- O vos omnes, No. 11 from Gesualdo: Sacrae Cantiones - Book 1, Op. 9
- Glinka: Херувимская (Cherubim's Song) (1837)
- Grieg: Ave, maris stella (Version for Choir), EG 150b
- Guerrero: Ave Virgo sanctissima (1566)
- Gallus: Pater noster (1586)
- Hassler: Dixit Maria (from Cantiones sacrae) (1591)
- João IV: Crux fidelis (1615)
- Prez: Ave Maria…virgo serena (1502)
- Lassus: Adoramus te, Christe, LV 1083
- Lassus: Ave verum corpus, LV 730
- Lassus: Timor et tremor (1566)
- Lotti: Crucifixus (for 8 Voices)
- Mendelssohn: Psalm 43 (Richte mich, Gott und führe meine Sache), MWV B 46, Op. 78, No. 2
- Mendelssohn: Verleih uns Frieden gnädiglich, MWV A 11, WoO 5
- Monteverdi: Beatus vir (Psalm 112), SV 268
- Monteverdi: Cantate Domino
- Monteverdi: Christe adoramus te, SV 294
- Mozart: Ave verum corpus, K. 618
- Palestrina: Exsultate Deo (1584)
- Palestrina: Tu es Petrus
- Palestrina: Sicut cervus desiderat. Sitivit anima mea (1604)
- Poulenc: Salve Regina, FP 110
- Ave Maria, No. 6 from Rachmaninoff: All-Night Vigil, Op. 37
- Rheinberger: Abendlied, Op. 69, No. 3, JWV 55
- Unser lieben Frauen Traum, No. 4 from Reger: Acht geistliche Gesänge (8 Sacred Songs), Op. 138
- Rossini: O salutaris Hostia (1857)
- Schubert: Psalm 23 ("Gott ist mein Hirt"), D 706
- Schütz: Psalm 100 ("Jauchzet dem Herren, alle Welt"), SWV 36
- Schütz: Selig sind die Toten, SWV 391
- Stravinsky: Ave Maria (Bogoroditse D'vo) (1934)
- Sweelinck: Laudate Dominum (Psalm 117)
- Verdi: Ave Maria
- Viadana: Exsultate just
- T.L. Victoria: Ave Maria (for 4 Voices)
- T.L. Victoria: O quam gloriosum (1572)
- T.L. Victoria: O vos omnes (Tenebræ Responsory No. 2 for Holy Saturday) (1585)
- T.L. Victoria: Jesu, dulcis memoria
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.