OperAria Soprano - Volume 1
Lyric – Coloratura
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- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Strauss II (1825-1899), Richard Strauss (1864-1949), Ambroise Thomas (1811-1896), Otto Nicolai (1810-1849), Giovanni Battista Pergolesi (1710-1736), Giuseppe Verdi (1813-1901), Léo Delibes (1836-1891), Charles Gounod (1818-1893), Gaetano Donizetti (1797-1848), Leonard Bernstein (1918-1990), Carl Maria von Weber (1786-1826), Giacomo Puccini (1858-1924), Jules Massenet (1842-1912), Jacques Offenbach (1819-1880), Vincenzo Bellini (1801-1835)
- Editors: Peter Anton Ling, Marina Sandel
- Format: Vocal Score / CD
- Instrumentation (this edition): Piano Reduction, Soprano
- Originally for: Soprano, Orchestra, Bass, Opera
- Work Languages: English, French, German, Italian
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 160
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Description
OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)
Works:
- Tornami a vagheggiar from Handel: Alcina, HWV 34
- Stizzoso, mio stizzoso from Pergolesi: La serva padrona (1733)
- Durch Zärtlichkeit und Schmeicheln from Mozart: Die Entführung aus dem Serail (The Abduction from the Seraglio), K. 384
- Welche Wonne, welche Lust from Mozart: Die Entführung aus dem Serail (The Abduction from the Seraglio), K. 384
- Ma se colpa io non ho! / Batti, batti, o bel Maset from Mozart: Don Giovanni, K. 527
- Via via, non è gran mal / Vedrai, carino from Mozart: Don Giovanni, K. 527
- In uomini! in soldati from Mozart: Così fan tutte, K. 588
- Una donna a quindici anni from Mozart: Così fan tutte, K. 588
- Kommt ein schlanker Bursch gegangen from Weber: Der Freischütz, J. 277, Op. 77
- Prendi, per me sei libero from Donizetti: L'elisir d'amore, A. 36
- Donizetti: Ah! tardai troppo / O luce di quest’anima from Linda di Chamounix, A. 62
- Quel guardo il cavaliere from Donizetti: Don Pasquale, A. 64
- O rendetemi la speme / Qui la voce sua soave from Bellini: I Puritani
- Wohl denn, gefasst ist der Entschluss from O. Nicolai: Die lustige Weiber von Windsor (The Merry Wives of Windsor)
- Je suis Titania from A. Thomas: Mignon
- Gualtier Maldè / Caro nome from Verdi: Rigoletto
- Saper vorreste from Verdi: Un ballo in maschera (A Masked Ball)
- Sul fil d’un soffio etesio from Verdi: Falstaff
- Je veux vivre from Gounod: Roméo et Juliette, CG 9
- Les oiseaux dans la charmille from Offenbach: Les contes d'Hoffmann (The Tales of Hoffmann)
- Mein Herr Marquis from J. Strauss II: Die Fledermaus
- Où va la jeune Indoue from Delibes: Lakmé
- Obéissons quand leur voix appelle from Massenet: Manon
- Frère ! Voyez ! from Massenet: Werther
- Quando me n’ vo from Puccini: La Bohème
- Großmächtige Prinzessin from Strauss: Ariadne auf Naxos, TrV 228, Op. 60
- Glitter and be gay from Bernstein: Candide (1989)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.