Sing Solo Sacred
Expected to ship in 2-3 weeks.
- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), César Franck (1822-1890), Ralph Vaughan Williams (1872-1958), Edward Elgar (1857-1934), Henry Purcell (1659-1695), Georges Bizet (1838-1875), Gabriel Fauré (1845-1924), Henry Walford Davies, Franz Schubert (1797-1828), John Adams (1947-), Felix Mendelssohn (1809-1847)
- Arranger: Neil Jenkins
- Format: High Voice
- Instrumentation: High Voice
- Work Language: English
- ISBN:
- Size: 9.3 x 12.0 inches
- Pages: 160
Description
All the most popular sacred solos together in one volume. If you need to sing a solo at church this collection is all you need. Many of the pieces have been specially arranged for this book, and well-loved items traditionally viewed as only for higher voices are now available in the low voice volume in suitable keys.
- Adams: The Holy City
- Allitsen: The Lord is my Light
- Bach: Christians, on this day of gladness
- Bach: Flocks in pastures green
- Bach: If thou art near
- Bach: Jesu, joy of man's desiring
- Bach: May the father's boundless love
- Bach: Up, up my heart with gladness
- Bach/Gounod: Ave Maria
- Bennard: The Old Rugged Cross
- Bizet: Agnus Dei
- Elgar: Ave verum
- Faur'e: Pie Jesu
- Franck: Ave Maria
- Franck: Panis Angelicus
- Handel: Come unto him
- Handel: I know that my redeemer liveth
- Handel: Let the bright seraphim
- Handel: Lowly they kneel
- Handel: Merciful God
- Head: The Lord's Prayer
- Liddle: Abide with me
- Liddle: The Lord is my shepherd
- MacBeth Bain: Brother James Air
- Mendelssohn: O for the wings of a dove
- Mozart: Agnus Dei
- Mozart: Alleluia
- Mozart: Ave verum
- Mozart: Laudate Dominum
- Purcell: Hark, the echoing air
- Schubert: Ave Maria
- Schubert: Litany
- Schubert: God shall wipe away all tears
- Schubert: Refrain thy voice from weeping
- Schubert: The Lo st Chord
- Vaughan Williams: He that is down
- Walford
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.