The Oxford Book of Christmas Organ Music
Expected to ship in 1-2 weeks.
- Composers: George Frideric Handel (1685-1759), Sigfrid Karg-Elert (1877-1933), Johann Sebastian Bach (1685-1750), Johann Pachelbel (1653-1706), Franz Liszt (1811-1886), Andrew Carter (1939-), Johann Michael Bach, Howard Blake, Mark Blatchly, Alexandre Guilmant (1837-1911), Philip Marshall, Louis-Claude Daquin (1694-1772), Harrison Oxley, Richard Purvis, Gordon Phillips, Russell Schulz-Widmar, Pietro Yon (1886-1943), Helmut Walcha, Henry Ley, David Willcocks (1919-2015), Gerre Hancock, Arcangelo Corelli (1653-1713), Herbert Sumison, William LLoyd Webber (1914-1982), Healey Willan (1880-1968), Johannes Brahms (1833-1897), John Ireland (1879-1962), John Rutter (1945-), Dieterich Buxtehude (1637-1707)
- Editor: Robert Gower
- Instrumentation: Organ
- ISBN:
- Size: 9.1 x 11.9 inches
- Pages: 144
Description
This volume is a collection of 37 of the best pieces for use at carol services, Christmas services, and Christmas concerts. It includes a number of exciting new pieces on established tunes (from Andrew Carter, Gerre Hancock, and David Willcocks, among others), as well as excellent new arrangements of popular Christmas pieces.
- Johann Michael Bach: Chorale Prelude on 'In dulci jubilo'
- J.S. Bach: Chorale Prelude on 'In dulci jubilo'
- J.S. Bach: Sinfonia from the Christmas Oratorio
- J.S. Bach: Aria 'Schlafe, mein Liebster'
- J.S. Bach: Chorale Prelude on 'Nun komm, der Heiden Heiland'
- J.S. Bach: Chorale Prelude on 'Wachet auf, ruft uns die Stimme'
- Buxtehude: Chorale Fantasia on 'Wie sch"on leuchtet der Morgenstern'
- Buxtehude: Chorale Prelude on 'In dulci jubilo'
- Howard Blake: 'Walking in the air'
- Mark Blatchly: Three Versets on 'Away in a manger'
- Brahms: Chorale Prelude on 'Es ist ein Ros' entsprungen'
- Carter: Toccata (on 'Veni Emmanuel')
- Corelli: Pastorale from the Christmas Concerto
- Daquin: No"el
- Guilmant: Offertoire sur Deux No"els
- Handel: Hallelujah Chorus
- Handel: Pifa (Pastoral Symphony)
- Gerre Hancock: Fanfare on 'Antioch'
- Ireland: The Holy Boy
- Karg-Elert: Chorale Prelude on 'Resonet in laudibus' Carol
- Ley: Cradle Song
- W. S. Lloyd-Webber: Interlude on the Coventry Caro l
- Philip Marshall: Prelude on 'Forest Green'
- Liszt: Die hirten an der Krippe
- Oxley: Prelude on 'Whence is that goodly fragrance?'
- Pachelbel: Chorale Prelude on 'Vom Himmel hoch, da komm' ich her'
- Gordon Phillips: Prelude on 'O little town of Bethlehem'
- Richard Purvis: Prelude on 'Greensleeves'
- Rutter: Prelude on 'God rest you merry, gentlemen'
- Sumsion: Prelude on 'The holly and the ivy'
- Willan: Prelude on 'This endris nyght'
- D. Willcocks: Finale on 'Hark, the herald angels sing'
- D. Willcocks: Prelude on 'Irby'
- Walcha: Chorale Prelude on 'Den die Hirten lobten sehre'
- Schulz-Widmar: Prelude on the Sussex Carol
- Pietro Yon: Pastorale 'Ges`u Bambino'
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.