Pierné: Canzonetta, Op. 19
Expected to ship in 1-2 weeks.
- Composer: Gabriel Pierné (1863-1937)
- Instrumentation: Piano, Clarinet
- Work: Canzonetta, Op. 19
- ISMN:
- Size: 9.1 x 12.0 inches
Description
Gabriel Pierné (1863-1937) began his musical journey with a comprehensive education at the Paris Conservatoire, where he honed his skills as a pianist, composer, and conductor. Pierné's career as the assistant and later sole conductor of the Concerts Colonne elevated him to a position of prestige and influence in the world of music. He used this platform to champion contemporary composers, premiering significant works by luminaries like Debussy, Ravel, and Stravinsky. As a composer, Pierné's diverse catalogue encompassed a wide range of musical genres with his chamber music standing out as a masterpiece. His unique compositional style, influenced by Franck and Fauré, played a pivotal role in shaping French music in the early 20th century, and he left behind a rich and diverse musical legacy. in the spotlight of Pierné's musical legacy stands his composition, the Canzonetta for clarinet and piano, Op. 19, dedicated to the clarinettist Charles Turban. This short yet elegant piece, with its A-B-A structure and an emphasis on playing "avec élégance" (with elegance), epitomizes the "genre piece" or "salon piece" style. Its moderate Andantino tempo, a flexible first theme in E-Major, and a lyrical, slightly rubato second theme present a delightful musical challenge. The piece's central section allows the piano to shine while the clarinet offers musical commentary, leading to a recapitulation where the clarinet regains its solo role. Throughout, Pierné's Canzonetta reflects the embodiment of French good taste and has been interpreted with skill and artistry by esteemed clarinettists, making it a testament to Pierné's contributions to this genre.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.