Repertoire Classics for Bassoon
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- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Edward MacDowell (1860-1908), Franz Liszt (1811-1886), Claude Debussy (1862-1918), Frédéric Chopin (1810-1849), Arthur Pryor (1869-1942), Enrico Toselli, Joseph Haydn (1732-1809), Hugo Schlemueller (1872-1918), Vittorio Monti (1868-1922), Robert Schumann (1810-1856), Arcangelo Corelli (1653-1713), Pyotr Ilyich Tchaikovsky (1840-1893), Charles Gounod (1818-1893), Franz Schubert (1797-1828), Christoph Willibald Gluck (1714-1787), Benedetto Marcello (1686-1739), William Henry Squire (1871-1963), Camille Saint-Saëns (1835-1921), César Franck (1822-1890), Johannes Brahms (1833-1897), Gioachino Rossini (1792-1862), Fritz Kreisler (1875-1962), Alexander Glazunov (1865-1936), Gabriel Fauré (1845-1924)
- Format: Book with Audio Download
- Instrumentation: Bassoon
- ISBN:
- Size: 9.1 x 11.9 inches
Description
Carl Fischer's Repertoire Classics series consists of comprehensive and progressively graded collections of classic solos with piano accompaniment. Each book contains a fine mix of transcriptions of familiar classics along with solos written specifically for the instrument. Many of the pieces in these collections appear on state contest and festival required music lists. The pieces featured cover the performance levels of grade 2 through 5, representing all style periods, and include works by some of the greatest composers of all time. As an added bonus, downloadable MP3 audio files of the piano accompaniments are available to make practicing more fun. It also contains piano accompaniment parts for all pieces in the collection in PDF format. Our innovative and unique packaging allows Carl Fischer Music to provide you with large and useful collections of solo literature at affordable prices, and players will find them useful for years to come.
Contents:
Aria (Bist du bei mir) - Bach. J.S
Waltz, Op. 39, No. 15 - Brahms
Largo from Cello Sonata, Op. 65 - Chopin
Gigue - Corelli
Sarabande - Corelli
Reverie - Debussy
Siciliene, Op. 78 - Fauré
Panis Angelicus - Franck
Minstrel's Song, Op. 71 - Glazunov
Andante - Gluck
Gavotte - Gossec
Tambourin - Gossec
Ave Maria - Gounod
Bourée - Handel
Serenade from String Quartet No. 8, Hob. III, No. 17 - Haydn
Chanson Louis XIII and Pavanne Kreisler
Liebestraum - Liszt
To a Wild Rose - MacDowell
Adagio and Allegro - Marcello
Csardas - Monti
Aria - Dove Sono from The Marriage of Figaro - Mozart
Fantastic Polka - Pryor
Tarantella - Rossini
The Swan - Saint-Saëns
Cradle Song, Op. 12, No. 2 - Schlemüller
A Mountain Maiden, Op. 12, No. 4 - Schlemüller
Song, Op. 12, No. 1 - Schlemüller
Ave Maria, Op. 52, No. 6 - Schubert, F.
Dreaming from Scenes From Childhood - Schumann
At Morn - Squire
At Twilight - Squire
Fairy Tales - Squire
Andante - Tchaikovsky
Serenade - Toselli
Londonderry Air (Traditional)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.